Quotes About Disney

If Disney wants ideas for a princess, make her an independent woman, one who is not afraid to face the daily struggles of life, and refuses to wear expensive dresses. Because we all know life is messy, and those dresses are too pretty to get dirty.

I have a baby that is 21 months old, and I watch Disney Junior with him. A lot of those shows are about pirates. Even the T-shirts and pajamas I buy for him have pirate themes like, 'Aye-aye, argh and mate.' But, I definitely grew up watching pirates.

Route 192 is its own thing, and you can't find that anywhere else. The colors and shapes of the buildings, the way that all the small businesses in a way feed off of the parks and sort of rip off the themes of Disney - you're not going to find that anywhere else.

One of my biggest Disney influences in terms of world-building on this record was a background painter named Eyvind Earle, who was working in the '50s. He would make hyper-modern shapes that were sharp retellings of pastoral themes.

Disney's Tomorrowland is deeply, thoroughly, almost furiously unimaginative.

Salinger, unlike Disney, came from a well-to-do family, but he stands alongside Mickey's inventor as perhaps the second great body of water that feeds all Twee streams, rivers, estuaries, and ponds. His influence on the aesthetic is equally vast, his body of work virtual Twee scripture.

The product Disney created actually changed a life, and that was significant to them. They didn't stand in my way at all.

There is such amazing talent at Disney. My job is 100% creative, and I am very excited to creatively lead them.

I'm so grateful for what Disney gave me and the experiences that I got, but at the end of the day, I can do so much more than what I did on that channel and in those movies.

I would have skipped the following day if I could have. I ddin't even like Disney World. I was, in fact, slightly afraid of it. When Khrushchev visited Disneyland in 1959, he wasn't allowed in. It was said that the American authorities couldn't guarantee his safety inside. And whatever else Khrushchev was, I would have backed him against an infantry division.

Walt Disney had a nuclear imagination before the advent of nuclear, some comprehension of apocalypse and rapture deep in his genes.

'That's So Raven' was my favorite show growing up! I loved Raven so much! That show is what made me want to be on Disney Channel!

Disney is a machine, and I'm grateful for it, but I feel like being part of that environment made me crave the reaction from other projects even more.

There was a manga boom, so I read 'Astro Boy,' 'Osomatsu-kun,' and such. But what influenced me the most were things like 'Popeye' and Disney animation.

People who like to fume about the manner in which Disney changed beloved classics are often ignorant of history, not to mention the realities of show business.

I'm so grateful for what Disney gave me and the experiences that I got, but at the end of the day, I can do so much more than what I did on that channel and in those movies.

I had done a bunch of stuff before I even went to Disney. I'm so grateful for what Disney gave me and the experiences that I got, but at the end of the day, I can do so much more than what I did on that channel and in those movies.

Disney has made $2 billion on 'Grey's Anatomy.' I don't have $2 billion.

I love 'Sons of Anarchy.' I was so excited to be able to be on this show, just because I personally watch it. Of course, I come from Disney, and I have a lot of young fans, but I do have fans who have grown with me as well.

I saw 'Sleeping Beauty' when I was, like, 6 years old at the Mercury Theatre. Then, when I came to Disney, I was in the company of these wonderful artists. People like Glen Keane, like Mark Henn, who were brilliant animators who could really bring these things to life.

Remember Robin Williams's great work as the voice of the genie in Disney's 'Aladdin'? Because he wanted to leave something wonderful behind for his kids, he said, he did the voice for a cut-rate fee of $75,000, far below his usual $8 million payday. But then something happened: The movie became a huge hit, raking in $504 million.

I love soundtracks to movies and am always touched by the music if it's good. The music in some old Disney movies, like 'Pinocchio,' 'Alice in Wonderland' and 'Peter Pan' really gets to me.

Winnie the Pooh and his friends from the Hundred Acre Wood are among the most entertaining and beloved characters ever animated by Disney.

You know the fairy-tale drill, especially from the Disney versions: the heroines endure awful stuff in rites of passage that lead to a joyous resolution of, usually, marriage to a prince. 'Into the Woods' follows that template, then asks, 'What happens after Happy Ever After?'