Quotes About Sensory

We feel cold, but we don't mind it, because we will not come to harm. And if we wrapped up against the cold, we wouldn't feel other things, like the bright tingle of the stars, or the music of the Aurora, or best of all the silky feeling of moonlight on our skin. It's worth being cold for that.

Je me suis installé dans le jardin. Comme le ciel n'est pas tout à fait noir, je vois des oiseaux traverser l'étendue grise-dessus des arbres, en un long vol, puissant et formidable, et il me semble les sentir glisser à la surface de mes yeux.

I am aware that the woman sits on the floor with me, and my head is in her lap, but I can't see her anymore. I only feel her bones beneath my bones, holding me up. I strain to see, even though I feel the sun on my skin, coming through the window.

Provò una gioia dolcissima perché gli sembrò che quelle prime parole che aveva scritto avessero il sapore del pane e il profumo di un buon rossetto.

When I would visit my octopus friend, Octavia, at New England aquarium, usually she would look me in the face, flow right over to see me, and flush red with emotion when she took my arms in hers. Often when I'd stroke her she'd turn white beneath my touch, the colour of a relaxed octopus.

Visits to crowded Indian urban centers unleash sensory assaults: colorful dress and lilting chatter provide a backdrop to every manner of commerce, from small shops to peddlers to beggars.

I love the scent of jasmine, honeysuckle, and orange blossom. They remind me of gardens and visits to the ocean I would make as a boy.

Architecture is about experience: not only visual but also what you can touch, what you can feel.

There's so many things about Babymetal you cannot just grasp with the sound. The visual has to compliment the sound, the costumes have to compliment the sound.

As human beings we're visual creatures, and it's so easy to play the guitar by looking at it. It's a real challenge to go from that visual way of perceiving the guitar to getting back to that pure sound connecting to the instrument.

If smart technology can transform 3-D from a crude novelty to a genuine visual enhancement, why shouldn't a sophisticated odor synthesizer follow a similar path?

There is research proving that deaf people have increased visual abilities.

I'm personally more struck by visual things more than musical.

I try to make songs visual and tactile to kind of put you into the action.

By the visual pattern, but mostly I'm guided entirely by my ear, what I hear.

Today, music is visual.

I like doing clay work. It's different from drawing on a page because you have something to mold into different shapes. It's quite visual, it's a thing you can hold and feel, and that makes it different from drawing.

Everything I do is very visual and very aural, so I don't read music, and I draw as much as I write out lyrics.

The world we live in is not purely visual. For me it's totally poly-sensorial so the tactile, sensual aspect of living in the work that I do is brought to the fore.

When I make music, it's a very visual thing. Conjures up a lot of images.

Flashbacks rarely involve language. Mine certainly didn't. They were visual, motor, and sensory, and they took place in a relentless, horrifying present.

I am a visual person, given that I am deaf.

In some ways, I'm just a visual person.

Music is more than words. It's a visual experience, too, and people really feel my music because of the way I move and put on a show.