Quotes About Sets

I like sets that feel small. Sets that feel really big are difficult. When you're on a big set it feels like there's constant mis-communication.

An undesirable society, in other words, is one which internally and externally sets up barriers to free intercourse and communication of experience.

Well, the clothes are really cool that we wear. The sets are so funny, because it's like everything is so real.

Binge viewing has been around since DVD box sets.

In opera, everyone's watching from a fixed viewpoint, and that really challenges you. Lighting, the sets, stage groupings, the music-but doesn't relate too much to film.

I'm always getting sent new stuff, so I have to incorporate digital equipment into my sets, but I try to play vinyl as much as possible. It's just the best-sounding format still. And I've been using vinyl since I started deejaying, for over 15 years, so it also just feels the most natural for me.

We are taking all necessary precautions on the sets of 'Anupamaa' to keep the virus at bay.

It's great to do commercial movies; they are fun. You're doing stunts, you are running around, there is a lot of money involved in the production; there are incredible sets and designs.

There's no one I trust in show business more than Sabrina Wind. She's my eyes and ears when I can't be there. She weighs in on everything, from scripts to sets to advertising.

Imagination, thought, may be admirable mechanisms but they can also be inert. Suffering alone sets them going.

You know," I said to her as we got back into the carriage, "the life of a resort and the life of travel make me realize that the theater of the world has fewer sets at its disposal than actors, and fewer actors than 'situations.

A vampire may play with his food, but he never sets it free.

In a daydream sort of way, I think it would be pretty cool to direct a movie. But I have been on movie and TV sets and know it is hard work. I like directing it in my mind. It is easier.

When I used to do musical theatre, my dad refused to come backstage. He never wanted to see the props up close or the sets up close. He didn't want to see the magic.

Reducing intelligence to the statistical analysis of large data sets "can lead us," says Levesque, "to systems with very impressive performance that are nonetheless idiot-savants.

A vampire may play with his food, but he never sets it free.

In particular, I want to present the stages in the historical development of user interfaces in terms of the different sets of human skills they are designed to exploit.