Quotes About Serialization

The danger of serialization is that you almost get into a monotone - where they all have the same beat and pace, and it's all one long thing - and when you can kind of do this interesting mixture of episodic and serialization, you can kind of take the audience on a more interesting journey.

While the 1980 book was being serialized in the Sunday Times, Charles attacked it through the Observer.

In summary, serialization is dangerous and should be avoided. If you are designing a system from scratch, use a cross-platform structured-data representation such as JSON or protobuf instead. Do not deserialize untrusted data. If you must do so, use object deserialization filtering, but be aware that it is not guaranteed to thwart all attacks. Avoid writing serializable classes. If you must do so, exercise great caution.

In other words, if you accept the default serialized form, the class's private and package-private instance fields become part of its exported API, and the practice of minimizing access to fields loses its effectiveness as a tool for information hiding.

Maybe they'll start making serialized movies. I watched the first couple seasons of '24' and it's really fun. I bought the DVD and watched it over a month or so and it's great. It's like reading a novel. It has a lot of possibilities that are more difficult to accomplish with a film.

The twentieth century was wedded to the remembrance of things past, with Proust making the act of remembrance an art of sensory timeslip in the first texts which would become A la Recherche du Temps Perdu in 1913 and with Joyce making an epic forever out of a single passing ordinary day with the serialization of the first chapters of Ulysses not long after.

I originally wrote 'The Martian' as a free serial novel, posting one chapter at a time to my website.

One of the things that set us apart early on, as opposed to other animated shows, was the fact that 'Bojack' was continuous and serialized.

By serializing two novels in 'Analog,' the world's No. 1, best-selling science fiction magazine, I've had 200,000 words of fiction and three cover stories in that magazine. Quite an enviable record.

Himmler's pimply teenage daughter was incredulous when reading about her father's career, which was now being serialized in newly appearing German-language papers. When I tried to interview her, she ran crying from the room. I was surprised that Himmler's daughter had feelings!

There's something exciting about weekly strips in that you're following the way the story reveals itself to the writer week by week. All the possible directions it could have taken are there; it's a kind of participatory reading that I think books discourage.

For shows that are hyper-serialized, it just seems to make more sense to follow a feature film model than follow a television model, which was set up more for a procedural type of show.

Sologub began the serialization of his greatest and most bizarre work, The Created Legend (1907

Once upon a time, novelists of the 19th century, such as Charles Dickens, published in serial form.

Ultimately, the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.

I was paid more for the serialization rights for each book than I got as an advance for my first novel. In other words, there is an economic value in serialization in and of itself.

NP's initial project was to serialize the standard tonality of the philosophical scale- to treat all of its pitches equally, as parameters or variables, so as to make heard a music other than the classical

As a kid, I always loved serialized books. It's the reason why people love 'Harry Potter.' Serialization is amazing. It works in television. It works in film and it works in books. Especially when you're a young kid, you get attached to these characters.

I like the end of the year to be about something. Especially with younger shows, the network pushes you to make self-contained episodes; they don't like them to be serialized: 'We want this one to be funny for someone who's never watched it and will never watch again.' And I go 'Why would anyone want to do it like that?'

I'm just interested in serialization in fiction. I'm fascinated by it. I love the 19th-century novels. I'm interested in ways to bring that back to fiction.

IN 1998, TOM WOLFE brought me his proposal for a new novel, A Man in Full. I didn't feel it would be right for us to try to repeat the Bonfire of the Vanities serialization.

Indeed, and crucially so, the serial form took the control of the novel away from the reader and left him in an imagined space that could not be thought of in terms of the physical space still to be read. At the end of each instalment the reader would contemplate a vacuum, an 'end' which looked forward to a continuing verbal space which he could not measure. He might speculate but he could not know.

As a kid, I always loved serialized books. It's the reason why people love 'Harry Potter.' Serialization is amazing. It works in television. It works in film and it works in books. Especially when you're a young kid, you get attached to these characters.

It's true," says Michael. "Dicken's novels came out in monthly installments. People couldn't wait for the next chapter to arrive. Mobs would gather at train stations and shipyards so they could be first in line to get the next part of the book." "Mobs?" I say.... ..."People don't feel that way about books anymore," Elena says sadly. "Some people do," I say.