Quotes About Location

To work on the actual location I think is great. This thing of going to Canada and pretending you're in New York, it's terrible.

I used to work in a fire hydrant factory. You couldn't park anywhere near the place.

The way I work with my cinematographer is not based on general principles, but the ideas are triggered by the locations where we shoot.

I never eat in a restaurant that's over a hundred feet off the ground and won't stand still.

I admit we don't know for sure the exact spot where the original Globe stood. But the Greenmore Wharf site is as nearly right as we can figure.

I had my first flower stall when I was seven, at the end of the drive in Minehead, Somerset. Nobody was stopping so I moved it to my neighbour's drive, because I thought: 'Location, location, location.' It worked.

When I'm doing a store in a country, I always like to consider the concept of the country and the city.

When you're trying to expand your business, it's about real estate in the stores.

I definitely storyboard, but I only start once I have cast and location. I like to find the world first.

We're an industry obsessed with the storytelling side of things, the content. And then we got obsessed with the canvas. Is it going to be on television? Is it print? And now the canvas is mobile. But what we really need to think about is the context. The context is where and when the person is consuming it - location, time of day.

Setting is the bedrock of your story. If you choose a real-world backdrop, be certain you get your facts straight.

It's a strange thing when someone passes away. It's always when you're not expecting it that you're affected by it. When we first started filming, we were filming with existing characters in a location that we'd never been before.

Well, we shoot for so long on 'Stranger Things' that I know Atlanta really well.

We are aware of the strategic location of Kuwait, besides the stable region.

Poland is an attractive country, and first and foremost it's got a very important strategic location in Europe.

The Columbia River Bar has swallowed more ships, about 2,100 at last count, than any other location on the Pacific north of Mexico.

32°46? latitude, 171°91? longitude

It's important for you to understand that routers, which work at the Network layer, don't care about where a particular host is located. They're only concerned about where networks are located and the best way to reach them—including remote ones. Routers are totally obsessive when it comes to networks. And for once, this obsession is a good thing! The Data Link layer is responsible for the unique identification of each device that resides on a local network.

It's an odd thing to go to New York to shoot a movie that is set in Indiana.

A lot of times when I've been offered film series and stuff, if they shoot in Los Angeles, I lose interest.

I have an office in Argentina, I go there every day, so I work.

People think, 'Well, because you're at Google, you can work from anywhere.' Yes, you can work from anywhere, but many just commute to offices... Working from the office is really important.

We have to get the oil where the oil is.

'Saving Grace,' even though fictionally it was set in Oklahoma, we shot it right outside of L.A.