Quotes About Specificity

Transdiagnostic approaches are one way of avoiding a process of differential diagnosis that assumes a specificity that does not exist.

When I'm writing a play I hear it like music. I use the same indications that a composer does for duration. There's a difference, I tell my students, between a semi-colon and a period. A difference in duration. And we have all these wonderful things, we use commas and underlining and all the wonderful punctuation things we can use in the same way a composer uses them in music. And we can indicate, as specifically as a composer, the way we want our piece to sound.

I've always wanted to be somebody but I see now I should have been more specific.

First, it is essential to determine precisely what you wantto achieve. Just wanting to be "successful" is too general.

Our prayers must not be a vague appeal to His mercy or an indefinite cry for blessing, but the distinct expression of definite need. It is not that His loving heart does not understand our cry or is not ready to hear, but He desires it for our own sake. Such definite prayer teaches us to know our own needs better. It demands time and thought and self-scrutiny to find out what really is our greatest need.

Every author does not write for every reader

Good plans almost never contain the word somehow.

All groups and Organisation are unique

The principle of literature is devotion to the particulars of life.

Sometimes I wonder if we shall ever grow up in our politics and say definite things which mean something, or whether we shall always go on using generalities to which everyone can subscribe, and which mean very little.

While it's true that, as Tolstoy observed, every unhappy family is unhappy in its own way, and everyone on planet Earth, vale of tears that it is, is certainly entitled to the specificity of his or her suffering, one nonetheless likes to think that literature has the power to render comprehensible different kinds of unhappiness. If it can't do that, what's it good for?

Third, the purpose is to be described as concretely as possible, not abstractly.

I watched 'Freaks and Geeks,' and I was like, 'Oh, if you write about your own personal experiences, and if you're specific about it both in what happened and how you felt about it, it can make for scenes that are really compelling.' For the rest of college, I was basically ripping off 'Freaks and Geeks' with plays I wrote and stuff like that.

Any of us who've been newspapermen for a long time hate generalizations.

Phoebus Levene was characteristically blunt: 'Nucleic acids carry no individuality, no specificity . . . It may be just to accept the conclusion of the biologist that they do not determine species specificity, nor are they carriers of the Mendelian characters.

In 'Winter Soldier' - in terms of character-based, 'Winter Soldier' was so specifically for us: everything in that movie was designed around that version of Captain America that we wanted to see, that we wanted to explore. Everything in that film, all of the stylistic choices just flow from that.

Great art, the more specific you are, the more universal it becomes, and that's the thing that I loved about 'The Wire.'

I'm not sure if a writer should talk about themes. Themes arrive out of the deeper structure and concerns, but to me, the main thing is getting it down right, writing about specific characters in specific predicaments, and finding a way to be true to the story itself, not only in the first burst of draft but in the revision, too.

We use nearly 5 thousand different data points about you to craft and target a message. The data points are not just a representative model of you. The data points are about you, specifically.

Based on their extensive review of evidence, Hattie and others (2017) recommend: "not to mix praise with feedback about the content, as it dilutes the feedback message." When given, praise "needs to be specific, sincere, accurate, earned, preferably unexpected, not exaggerated, more private than public, and not include social comparison.

A close scrutiny of excellence, however, reveals that our edge—our particular genius—is precise. We each have specific areas where we consistently stand out, where we can do things, see things, understand things, and learn things better and faster than ten thousand other people can.

The impossibility of truth being served by generalities, and the impossibility of learning proceeding without them.

I never saw a tree that was no tree in particular.

The most important lesson I can share about brand marketing is this: you definitely, certainly, and surely don't have enough time and money to build a brand for everyone. You can't. Don't try. Be specific. Be very specific.