Quotes About Magazine

I love having my personal life. Hence why I didn't sell my wedding to a magazine.

I don't want a splashy magazine wedding with celebrities.

At home I have a copy of the April 21, 1986, issue of 'Sports Illustrated.' I'm on the cover with the blurb, 'Can Lou Do It?' I'd just arrived at Notre Dame, and with spring football underway, I was the focal point of that week's coverage.

I've continually reminded myself that I never want to change. I could be on the cover of a magazine today, but next week someone else is going to be on that cover. You always have to remain the same person because when those opportunities end, guess what you have? You have you. And if you change from being you, you have nothing anymore.

My grandmother, in her retirement home, actually has a picture of me from 'Star' magazine on their fashion police list. I think that's hilarious, but if Grandma approves, then I feel like I am all good.

'Interview' created indelible images of Pop Art that arrived on people's doorsteps every month.

He is not someone who went off to play in Europe and only a few Americans follow. He has the potential to be on magazine covers and more newspaper coverage.

Before I went to a meeting at the 'Harvard Lampoon,' I had no idea that there was even a comedy magazine at Harvard, let alone that you could write comedy potentially for a living.

I just enjoy lying on the couch and reading a magazine.

It's every girl's dream to be a cover girl!

I have a sentimental feeling for my very first cover I was on - it was 'Bazaar' Magazine.

By serializing two novels in 'Analog,' the world's No. 1, best-selling science fiction magazine, I've had 200,000 words of fiction and three cover stories in that magazine. Quite an enviable record.

'Essence' is political. I grew up on the magazine, looking at the covers. Seeing ourselves on the cover is political.

A 'Cosmo' cover has been my dream my entire life. I cried when I found out.

My career as a magazine writer was largely prefaced on the idea of curiosity, to go on adventures and weasel my way into the lives of people that I admire.

There's a curiosity about what magazine editors do, the behind-the-curtain experience.

I grew up with 'Life' magazine on the coffee table, Life cereal on the breakfast table, and the game of Life on the card table. People were just so happy to be alive, I guess.

Print is very important because I think there is nothing like the tactile sense of picking up a magazine.

Up until the age of 13, girls are confident, and they feel like they can conquer the world. Then adolescence sets in, and girls lose their confidence. And 'Seventeen' is really about them taking an hour out of their month, unplugging, lying on their bed, and reading a magazine that believes in them.

Why have a model on the front of your magazine when you can have Kate Winslet, Cate Blanchett or Hilary Swank? Because those girls are intelligent and talented, people are interested.

People always say there's no such thing as bad publicity, and you always think they're right, because it seems self-evident: nobody's going to buy a magazine that nobody ever talks about, so people should want to buy a magazine that everybody's talking about.

When we do 'Sports Illustrated,' it starts the night before. You do a St. Tropez tan that night, then baby oil gel, then body color.

But if you pick up every other magazine, it is the peanut butter diet, or the cabbage soup diet, and then you go to the radio and you hear that you can drink some solution and you will lose weight overnight. It just does not work that way!

There was always a dim chance that the job could lead to employment on a real magazine, which might be fun; besides, college had taught her that the purpose of a liberal-arts education was not to train but to free the mind. It didn't matter what you did for a living; the important thing was the kind of person you were.