Quotes About Songs

The good part is once I start directing, I can choose the songs I want to do. I'm just selective now when it comes to choreography.

My favorite music isn't necessarily the songs that One Direction come out with. That doesn't mean to say I don't secretly really love some of our songs, which I do.

I have about 4 albums of Disney songs, but the embarrassing part is that I know each song word for word, and have dances choreographed for most.

We love the great Disney songs - they have always inspired us in our work and in our lives! But for 'Let It Go,' we looked elsewhere - to powerful female singer-songwriters like Tori Amos, Aimee Mann, Sara Bareilles, Adele.

Some of those songs, you really have to bite them. You challenge yourself, you challenge the audience, you do something different. People weren't expecting it.

I love doing concerts, and I think my songs get another expression and energy when they are being played live.

While growing up in Australia I didn't watch many Bollywood films, but the ones I watched, I loved them, especially the songs and dancing. And Hrithik Roshan is my favourite because he is such a fabulous dancer.

Music is always occurring. It is just a matter of marketing, attention, and many other factors, that determines whether people will hear these songs or not.

There are a couple different factors that play into the decision of which songs to cover. It could either be we're really inspired by a song that's just come out or inspired by an international classic, but either way we bring it to the band.

The most despairing songs are the most beautiful, and I know some immortal ones that are pure tears.

I personally make sure that my songs are all original without any technical help, and only when that happens that I get complete satisfaction as a singer.

The songs were really complicated. I used to meet people in bar bands who were trying to play our songs and they were really struggling with it. Technically it was really difficult stuff.

I studied arranging and orchestration a number of years ago, so I have a home studio and arrange about three-fourths of my songs on the computer. Since writing orchestration is tedious, I often put an arrangement on the keyboard and let someone better-qualified finish it.

I write simple songs, and people like that. They're mature enough to appeal to people who aren't teenage girls. Most of my fans are older, and it's nice to think the songs can appeal to middle-aged men and women.

It is impossible to watch a 'Friends' episode too many times. Phoebe is my favourite character. I used to play her songs on the guitar when I was a teenager. 'Smelly Cat' is very easy. It's only about three chords.

I went to school for folk music back when I was a teenager and learned hundreds of songs.

Like all teenagers in the early '60s, I put down my hockey stick when the Beatles got big and picked up a guitar. We all thought we'd be rock stars. Then I got into comedy, but I'd always find a way to use my guitar, such as writing songs and doing musical parodies.

No matter where I go, I actually have a lot of couples coming and telling me that one of my songs was instrumental in strengthening their romance!

When 'Quadrophenia' came out, I turned on to that because of the whole story with it, and there were just some really amazing songs on there. 'Love Reign' being the quintessential song on that record, I think. That was always one of the cornerstones of my temple, that song.

I like clever songs. I like songs that make people think and I try to have substance in all my records, even with 'Sweet Dreams' how it was a club record and it was up tempo, but it was melodic and it was, like, lyrical.

One frequent visitor, an opera singer, often rang up Rasputin simply to sing to him his favorite songs over the telephone. Taking the telephone, Rasputin danced around the room, holding the earpiece to his ear. At the table, Rasputin stroked the arms and hair of the women sitting next to him.

You may glory in a team triumphant, but you fall in love with a team in defeat. Losing after great striving is the story of man, who was born to sorrow, whose sweetest songs tell of saddest thought, and who, if he is a hero, does nothing in life as becomingly as leaving it.

Now I just want to sleep the sleep of ages, to know again the Great Rest, the perpetual bliss, to hear the songs the stars sing on the shores of the great sea.

This was where she belonged with Nur, right here, here in his songs. Here within the lyrics they were intimate, caught in the rythm of his words, proppelled by the substance of his dreams. These songs would be their story and these lyrics their home.