Quotes About Songs

The strongest and sweetest songs yet remain to be sung.

Sometimes with one I love, I fill myself with rage, for fear I effuse unreturn'd love; But now I think there is no unreturn'd love—the pay is certain, one way or another; (I loved a certain person ardently, and my love was not return'd; Yet out of that, I have written these songs.)

Terrible in beauty, age, and power, The genius of poets of old lands, As to me directing like flame its eyes, With finger pointing to many immortal songs, And menacing voice, What singest thou? it said, Know'st thou not there is but one theme for ever-enduring bards?

A Phantom arose before me with distrustful aspect, Terrible in beauty, age, and power, The genius of poets of old lands, As to me directing like flame its eyes, With finger pointing to many immortal songs, And menacing voice, What singest thou? it said

When I wasn't internally grumbling about my physical state, I found my mind playing and replaying scraps of songs and jingles in an eternal, nonsensical loop, as if there were a mix-tape radio station in my head. Up against the silence, my brain answered back with fragmented lines from tunes I'd heard over the course of my life - bits from songs I loved and clear renditions of jingles from commercials that almost drove me mad.

There is one variant of bubble feeding where the case is stronger for its being culturally based, and this is because, as with the songs of humpback, bowhead, and blue whales, there has been a change in the population's behavior over timescales of less than a generation. The behavior is called lobtail feeding, which is a variant on the bubble-cloud feeding that we described a little earlier. The

Human cultural supremacy over the surface of the earth is recent and not quite complete. If we could have listened at lower frequencies, below the limits of the human ear, we would have heard rumbles and groans of other whales—the finback and the blue—their songs competing in the lowest frequency bands with the recent sound of ships. Could these be other nonhuman cultures?

The first time I ever recorded the songs of the humpback whales at night was off Bermuda. It was also the first time I had ever heard the abyss. Normally you don't hear the size of the ocean when you are listening, but I heard it that night . . . That's what whales do; they give the ocean its voice, and the voice they give is ethereal and unearthly."44

It soon became clear that elements of the songs of many birds are socially learned, and social learning seemed the most plausible explanation for the spread of a technique by which blue tits opened the tops of British milk bottles.123 Birds seemed to have culture.

It is jazz music that called me to be a musician and I have always sang the songs that moved me the most.

One of the remarkable things about love is that, despite very irritating people writing poems and songs about how pleasant it is, it really is quite pleasant.

Time has become a melding of minutes and months and the feeling of seasons. […] Leon says it is the Bhutan Time Warp and I know what he means. Time does not hurl itself forward at breakneck speed here. Change happens very slowly. A grandmother and her granddaughter wear the same kind of clothes, they do the same work, they know the same songs. The granddaughter does not find her grandmother an embarrassing, boring relic.

Hope - I wanted to give to that to the people. When you do that, you have to be willing to be unpopular. It's not the formula for radio songs.

I never went out to make the music that people would like. I mean, I tried, because every teenager tries to do that. But in my heart, I'd always come from gigs where I played upbeat guitar covers and I'd start writing sad songs on the piano.

Love songs too have many moods. It can be sad or be joyous and upbeat when one feels jubilant and in love.

My upbringing has always been quite equal in terms of cultural influences. But it's unlikely that anything could prepare you for a job that involves belting out Proclaimers songs on camera, in Edinburgh and in public.

One tries to be uplifting in one's songs, but occasionally a cloud appears in the sky and one's demeanor leads to songs like 'I'm Toast.' Even the guitars sound depressed.

We've been called the soundtrack of people's lives. There have been lots of downs, of course but mostly ups. That EW&F is still clicking at least twenty years on and has a life of its own, that the songs have stayed alive - we're like a good book that people go back to.

We're a band's band. We have real songs, real players, real problems. Real ups, real downs.

When I started out as a cover band, I was obsessed with Keith Urban and Jason Aldean and Eric Church; those are the songs I chose to sing as a cover band.

I was never particularly a part of the following of tango; I just liked it... most of all, I recognized that the urban content and the approach seemed very familiar and very connected to the songs that I was doing, the kind of songs that I wanted to write - the songs about the street.

In our band, every member has input, but me and Steve do the majority of the writing. We start the songs, the rest of the band help us finish it.

I've come to understand my role. On some level, I provide the context for them to shine. I also know my role is the steward of the songs, and the center point, the artist that the stuff all revolves around. But I really try to honor that.

Sting I've seen a few times, and he really inspired me in the sense that he breaks the songs down a lot and will take a different approach. He'll take an acoustic approach to them; he'll rearrange them for the live stage.