Quotes About Persistence

Reality is that which refuses to go away when I stop believing in it.

There's always something to suggest that you'll never be who you wanted to be. Your choice is to take it or keep on moving.

A good book isn't written, it's rewritten.

You must want to enough. Enough to take all the rejections, enough to pay the price of disappointment and discouragement while you are learning. Like any other artist you must learn your craft—then you can add all the genius you like.

Love will find a way through paths where wolves fear to prey. —LORD BYRON

There's only one good reason to be a writer-we can't help it! We'd all like to be rich, famous and successful, but if those are our goals, we're off on a wrong foot...I just wanted to earn enough money so I could work at home on my writing.

You must want to enough. Enough to take all the rejections, enough to pay the price of disappointment and discouragement while you are learning. Like any other artist, you are learning your craft -- then you can add all the genius you like.

It is an everlasting desire to make my dreams come true. And it's getting to the point now where it's like, come on I want my dreams to come true so that I can get on with the rest of my life. Sometimes I think about the rest of my life when I'm done.

One of the strange laws of the contemplative life," Thomas Merton, one of its sovereign explorers, pointed out, "is that in it you do not sit down and solve problems: you bear with them until they somehow solve themselves. Or until life solves them for you." Or, as Annie Dillard, who sat still for a long time at Tinker Creek—and in many other places—has it, "I do not so much write a book as sit up with it, as with a dying friend.

One of the strange laws of the contemplative life," Thomas Merton, one of its sovereign explorers, pointed out, "is that in it you do not sit down and solve problems: you bear with them until they somehow solve themselves. Or until life solves them for you.

How often – even before we began – have we declared a task "impossible"? And how often have we construed a picture of ourselves as being inadequate? . . . A great deal depends upon the thought patterns we choose and on the persistence with which we affirm them.

Never retract, never explain, get things done and let them howl.

They who overcome their desires once can overcome them always.

Our visions are the plans of the possible life structure, but they will end in plans if we do not follow them up with a vigorous effort to make them real, just as the architect's plans will end in his drawings if they are not followed up and made real by the builder.

When a plan or strategy fails, people are tempted to assume it was the wrong vision. Plans and strategies can always be changed and improved. But vision doesn't change. Visions are simply refined with time.

In 1989, I was on Tiananmen Square with the students, living in their makeshift tents and joining their jubilant singing of the Internationale. In the two decades since, each time that I have gone back, visions from those days seem to return with increasing persistence.

I used to visit one production house every day, and I used to take up auditions even for small roles. Before my debut, I must have auditioned at almost every single production house.

Write a little bit every day, each day. Visit it, every day - in other words, show up for work.

The main characters for 'The Seer and the Sword' made an appearance one night and then haunted me for over five years before I began to write them down. Does that count as inspiration? For me, characters tend to show up, stay on to help with the work of writing their stories, and then occasionally deign to visit after a book is finished.

Yes, I first visited Korphe village, Braldu valley, Baltistan, Pakistan, after failing to summit K2 in 1993, and met Haji Ali, a long time dear mentor and friend. My second visit to Korphe was in 1994.

When I left art school and went in search of work, visiting publishers and showing them my drawings and illustrations, I was met with a polite and sometimes enthusiastic response but no commissions.

The first time I ever actually had a line was on 'A Different World', my best friend Cree Summer's show. I was in L.A. visiting her, and she said, 'Hey, there's a walk-on part, why don't you audition for it?'

I've not been distracted by a long-running TV show or visits to America for pilot season.

When I started, I knew I didn't fit any visual that anyone was going to lie down and take their clothes off about. Work doesn't come to me; I go out and look for it.