Quotes About Frankenstein

Ambitious of vision and swooping of camera, 'I, Frankenstein' is no 'I, Robot,' let alone 'I, Claudius,' but it's definitely watchable on a cold Jan. evening or, a few months from now, on your I, Pad.

When I arrived there, looking like a mad scientist had tried to flay me open like a tiny Frankenstein, my mother freaked out in appropriate fashion.

Listen to me, Frankenstein. You accuse me of murder; and yet you would, with a satisfied conscience, destroy your own creature. Oh, praise the eternal justice of man!

The story of Frankenstein, the man created in a laboratory, could be symbolic of these events. It was written by Mary Shelley, the wife of the famous poet. He and she were high initiates of the secret society network which has hoarded and suppressed this knowledge since ancient times.

Frankenstein as the underdog. Not the monster. The villagers pursuing him are the monster.

I think his discovery scared even him. Sometimes Frankenstein has to kill his own monster.

I ride the Hog up winding roads into the hinterlands of Benedict Canyon to a Gothic-style mansion right out of a thirties Universal horror movie. Dr. Frankenstein's summer home, or where a friendly neighbor chains up Lyle Talbot during the full moon. Even the name Lisa Thivierge is living under—Janet Lawton—is a gag: the name of the ingenue in the old Ed Wood movie Bride of the Monster. I like Thivierge already.

I hadn't seen 'Bride of Frankenstein' until high school or maybe even later than that. It's really one of the great movie experiences where you think you know what it's going to be, but it's so much weirder and so much better than anything you could've imagined. It's so full of these striking, powerful images.

I'm an ugly girl, My face makes you hurl, Sad I have it, I should bag it. Acne everywhere, Unwanted facial hair. I'm a relation to Frankenstein's creation.

'Son of Frankenstein' is never talked about in the same tone as James Whale's 1931 'Frankenstein.' But it should be. It was Boris Karloff's last appearance in the Frankenstein series and stars Donnie Dunagan, then a child actor.

Filmmaking has been my love since my mother brought me to see James Whale's 'Frankenstein' at the local library at the age of six.

I would compare my 'Frankenstein' to Cronenberg's remake of 'The Fly.' The monster in the original Fifties version of 'The Fly' was a crude, anatomical combination of man and insect, whereas Cronenberg's version exploited knowledge of DNA to depict him as a transgenic chimera.

It was on a meteorologically challenged November night that Frankenstein infused the spark of being into the creature and saw its dull yellow eye open. Breathless horror filled Frankenstein's heart as a vision of the next twenty years flashed through his mind. There would be responsibilities--schooling, education, clothing--and he was a lone parent!

Like Mary Shelley's Frankenstein, resurrection by human power rather than divine spirit always produces a monstrosity. If

But I'd have to say Young Frankenstein, which I can watch forever.

The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.

When I was a kid, I loved 'The Curse of Frankenstein ' 'The Creeping Unknown ' 'X: The Unknown.' I love 'Forbidden Planet ' 'The Thing from Another World.' They were science fiction/horror movies, generally.

According to Jewish legend, only the very wisest and very holiest rabbis had the power to make golems, animated servants of clay. Strictly speaking, the golem is not in the same class with Frankenstein's monster, because the golem is neither alive nor dead. He is, rather, the ancestor of all robots.

Can you just saw his arm off while we're here and get me loose? (Amanda) I could do that, but he needs his more. I'd cut yours off before I did his. (Tate) Oh, great, what are you, his Igor? (Amanda) Wrong movie, Igor was Frankenstein's flunky. Renfield is the one you're thinking of, and no, I'm not Renfield. Name's Tate Bennett. Parish coroner. (Tate)

There are perennial stories like 'Alice in Wonderland' and 'Sherlock Holmes' and those sorts of things, which have been around since almost as long as film, and 'Frankenstein' is another one. They're perennial favorites, which get remade every 20 years, and that's OK.

Delany's primary dramatic purpose, sounded in the novel's opening line, is to give a significant portrait, and ultimately a sympathetic one, of a monster—a laudable science fiction theme if there ever was one, dating from Frankenstein. But Delany has transferred his theme pornography: his monster is a sexual human.

I don't think 'Freak Dance' is a parody; it's more reference than anything. People don't think of 'The Rocky Horror Picture Show' as a 'Frankenstein' parody. It's kind of like that.

'Frankenstein' is a timeless classic. As science advances, it becomes more relevant, not less. Its fantasy moves closer to fact, its horrors closer to reality.

I patch together a living language out of reanimated parts, like Frankenstein, and feel no disgust at scrabbling in the charnel house. Each of us makes her own monster, who earns a cozy co-tenancy of our tomb. We're all the last native speakers of a language that dies with us. Am I so special for tasting the rot on my tongue? For knowing whose remains I'm kitted out in?