Quotes About Hits

Most of the hits I take come on top of the shoulder pads.

Music reigns supreme. It does not need a visual prop. While listening to a number, do you enjoy the tune, or do you enjoy it because you imagine someone singing it? In fact, quite a few hits of mine are from films that no one has heard about. The songs still rule, though.

We have audiences within our audiences who only care about the greatest hits - but new material brings vitality to the set, and should stop you calcifying and being a museum piece.

I did recording sessions as a musician as well as a background vocalist and enjoyed every minute of it. I remember singing harmony with Waylon Jennings on a few songs that were hits. Chet Atkins always put me up so high that I strained to hit every note. It was a lot of fun.

I can make the argument that people who don't have the biggest ranges but have very unique voices, even if they may be pitchy at times... with the right record that's really unique and distinct, they can have big hits.

One thing that's important to understand is that it's believed that the pathology of CTE doesn't have to do with concussion so much as it has to do with the accumulation of sub-concussive hits. So every hit matters. If you're subject to 800 or 1,200 of these every year, it accumulates. It's like erosion.

If it's a whole show of my own, I'll do more of what I think Del Shannon is. But for shows like Disneyland, I'll just do mainly hits. That's what they want to hear. I don't want to bore people. If I wanted that much to play nothing but 12 new songs, then I should go do it in a bar somewhere for peanuts.

With excessive digitisation, now, everyone is making films, which is good, but the makers think that they will quickly make films in digital and bag satellite rights but television channels buy satellite rights of notable films only. If we made fewer films a year, percentage of hits would be better.

I don't go for holidays or celebrate my success because I know nothing is permanent. I don't let it get to me - like I am India's top director with too many hits. If that happens, I might lose the connect with my audience. The day I go wrong, they will run away from me. I want to be like an assistant director all my life.

I'm not interested in gigs unless I really want to do them. I walked away from music in 1997, and then there was a greatest hits in 2002. Thank God, it didn't do too well because the record company wouldn't promote it.

You never want to be in a defensive mode or have a defensive mindset. You always want to know that you're in control as the pitcher, you make him get hits, you're never passive, always aggressive. If I get beat, I want it to be because I got rocked, got hit hard, never because I walked a couple of guys and before you know it.

My biggest successes were mainly in the pop market during the 80s.

The good news is in the record business, they only count your successes.

I'm one of those artists that doesn't actually hate my old hits. I love Boston music. I really like 'More than a Feeling.' After playing it to myself in a basement for such a long time, I'm happy to do it out on stage.

What people want on a Sunday morning is not to be in the breaking news fray. They want someone to call hits and misses, and to bring context and perspective and to be even-handed.

I have sung some great songs, and fortunately, all have gone to become hits.

I've sung lead on nearly all the big Boney M hits.

Superficial pop will always exist - there've always been Fabians - but when people like Dire Straits and Bruce Hornsby start having hits, it suggests that there's a revolution going on in music.

I have a pet peeve about bands that don't play their hits. I think it's kind of selfish.

I've always played all the old songs. I'd go and see Peter Gabriel or Madonna and be surprised if they didn't play all the hits. People don't want to come and hear the B-sides.

As far as the lack of hits goes, I think perhaps it's because I've played a lot of different roles and have not created a persona that the public can latch on to. I have played everything from psychopathic killers to romantic leading men, and in picking such diverse roles I have avoided typecasting.

When people come to a concert, they wanna hear the hits, the big radio songs, and they wanna hear them how they're used to hearing them. I like playing them how they were recorded.

A lot of times, bands will go on tour, and people only wanna hear the hits. Luckily, our fans are receptive to our new stuff.

A lot of the hardcore fans wanna hear the deep cuts - songs like 'Orion' or maybe like a 'Disposable Heroes' - you know, songs that we don't play all the time - and then, of course, they wanna hear 'Sandman' and 'Nothing Else Matters' and some of the hits.