Quotes About Editor

I very much wanted to be editor of the 'New Statesman!' But I never wanted to be prime minister, except maybe as a little boy.

My dad was a news editor for a Brazilian news station, and they had offices in New York and London.

Radio stations provided a service. They weeded out the stuff that no one should ever have to even think about. Now, they made mistakes and they made mistakes with me even but, by and large, they provided a service. They were an editor.

Although being economics editor sounds impressive, it does not mean I actually edit anything. It mainly reflects two decades of title-inflation at the BBC, which has given ever more status to senior reporters, presumably because it is cheaper to do that than to offer higher pay.

I stayed at 'Cosmo' well beyond my internship, moving up the ranks over some 15 years to become books editor, then brand director, then editor-at-large - editing everything from an excerpt of Gore Vidal's memoir to writing some of those juicy cover lines myself.

I realise I am stepping into the shoes of a hugely respected editor in the shape of Alexandra Shulman, someone who has chosen to leave at the top of their game with a legacy of 25 years of success.

H. L. Mencken once felt compelled to offer a friendly piece of advice to William Saroyan. "I note what you say about your aspiration to edit a magazine," said the man only a few years removed from guiding the groundbreaking American Mercury. "I am sending you by this mail a six-chambered revolver. Load it and fire every one into your head. You will thank me after you get to Hell and learn from other editors how dreadful their job was on earth.

I'd be far too self-conscious and insecure if I suspected my editor might be a better novelist than I.

I'm deeply grateful to John and Ann Doerr, Laurene Powell, Mona Simpson, Leon Wieseltier, and Ken Auletta, all of whom provided invaluable support along the way. Alice Mayhew, who has been my editor at Simon & Schuster for thirty years, and Jonathan Karp, the publisher, both were extraordinarily diligent and attentive in shepherding this book, as was

Apple and went on to be a partner in the venture firm Sequoia Capital with Don Valentine) repudiated it by complaining that his reporting had been "siphoned, filtered, and poisoned with gossipy benzene by an editor in New York whose regular task was to chronicle the wayward world of rock-and-roll music.

EDITOR... a bit of sandpaper applied to all forms of originality by the publisher-proprietor...

In the spring of 1919 La Guardia found himself still way down on the seniority list in a Congress described by muckraking editor H. L. Mencken as "petty lawyers and small-town bankers" and a "depressing gang of incompetents." All La Guardia could do was rail at "outrages" in speeches that few people paid attention to and cast votes that changed nothing. Not even the "progressives," such as Robert La Follette and George Norris, took him seriously.

One writer may speak of something more lasting than Horace Greeley when he writes of that editor that his secular philanthropy drifted into autocratic ambition.

A rival editor in Philadelphia said that the spreading railroad network carried "New York everywhere" in terms of the city's predominant influence.

Looking to advance in journalism, one future editor displayed skilled as varied as economic analysis and humorous commentary.

One editor during the Civil War got a grievous message to meet his brothers corpse, only to find out that the telegraph operator had garbled the message to meet his living brother's CORPS.

Critics are by no means the end of the law. Do not think all is over with you because you articles are rejected. It may be that the editor has his drawer full, or that he does not know enough to appreciate you, or you have not gained a reputation, or he is not in a mood to be pleased. A critic's judgment is like that of any intelligent person. If he has experience, he is capable of judging whether a book will sell. That is all.

And of course, if there's one thing we feel we can take as truth in these books it's Katniss and her narrative. But we should ask ourselves whether even this should be above suspicion. Like all first-person narrators, Katniss is her own editor with her own biases: she chooses how to present herself and those around her. Katniss has a stake in the story she's telling and what that stake is changes how she portrays the events and her emotional reaction to them.

Of course," reassured Cat, who then promised to not only send the actress the piece before it went in (her editor would have killed her—what

If there is a single person at the nexus of fantasy literature, it is Terri Windling -- as editor, as writer, as painter, as muse.

The thing that excites me most technologically is the ability to use VR not just for games and displaying our content, but also for creating that content. We're putting a lot of thought into what the Unreal Engine editor looks like as a VR application.

I always read what I write out loud, and I did that long before any radio thing. My editor finds that unusual.

'Freakonomics' began with a 'N.Y. Times Magazine' profile I wrote about Steve Levitt. I was working on a book about 'the psychology of money,' and since Levitt's an economist, my editor thought I'd be the guy to write about him. Fact is that Levitt has almost no interest in either psychology or money.

The first job I was offered was as an editorial assistant. I think it was the best thing for me, in terms of being a storyteller by nature, to have spent years being an editor because I learned so much from it.