Quotes About Editor

Notoriety is such a prized thing. Society suddenly wants your opinion on things - everyone from your mom to an editor at The New York Times.

The great thing about the animation process is that is goes from, I write the lines, it goes to the actors, the actors bring a whole world to that, they bring the characters to life, then it goes to the animators, then it goes to the editor who cuts it together, and then you screen it and it goes back through the system again.

The difference with doing a play is that you are in control. In film you are in the hands of the director and the editor and the producer.

It's incorrect to assume you can be a fashion editor because you blog, if you don't have experience to look at fashion in a professional way.

Screen is satisfying because it's so technical and mysterious. It's like playing roulette: you get a script, you think it's either great or naff, but you have no idea how it will really turn out. On stage, you are your own editor - and you get brief moments of grace, where suddenly you feel free.

Anthony Howard, then editor of the left-wing New Statesman , once pointed out that if Huey Long had only used left-wing phraseology he would have enjoyed wide support from the New York and London intelligentsia.

David Shelley, mi incomparable editor, seguidor incondicional y un INFJ,3 como yo.

ogni vero editore compone, senza saperlo o anche sapendolo, un unico libro formato da tutti i libri che pubblica

I was instructed long ago by a wise editor, If you understand something you can explain it so that almost anyone can understand it. If you don't, you won't be able to understand your own explanation. . . . Jargon is the last refuge of the scoundrel.

He was an editor for seven years before directing his first film, and his career stands as an argument for the theory that editors make better directors than cine-matographers do; the cinematographer is seduced by the look of a film, while the editor is faced with the task of making it work as a story.

Durante más de doce años, Bruce Patton ha colaborado con nosotros en redactar y explicar todas las ideas de este libro. El año pasado se hizo cargo de la difícil tarea de volcar nuestro pensamiento conjunto en un texto con el que estuviéramos todos de acuerdo. Es un placer darle la bienvenida a Bruce, editor de la primera y coautor de esta segunda edición.

Margaret Fuller, America's first female public intellectual and a contemporary of Beecher, was her antithesis. In 1840, Fuller became editor of the era's premier highbrow magazine, The Dial. She was then thirty years old.

My dad was an editor and a writer, and that's actually what I aspired to be.

I was an editor for supplemental math, science, and literature programs for the primary grades and became very well versed in elementary curriculum, particularly PreK-2.

In 2003 and again in 2010, I was fired from my job as editor-in-chief of a 'progressive' paper, Al-Watan. During the years in between, I served as media adviser to Prince Turki al-Faisal, the Saudi ambassador to Britain and then the United States.

I've always been charmed by houses, and descriptions of them are prominent in my novels. So prominent, in fact, that my editor once pointed out to me that all of my early novels had houses on the covers.

Asking the government to fix our economy is like asking an editor to fix a movie, but in this case, the editor's not even of one mind.

There are similarities between being an editor and a tailor. Tailors have a vast supply of fabrics, buttons and thread at their disposal and put it together to make a whole. That's what an editor does - looks at society at a given time and pulls together the interesting aspects into a single issue each month.

I am thrilled to become international 'Vogue' editor at Conde Nast International, which has a real commitment to journalistic excellence, and to have the opportunity to write for a wider global audience through the 'Vogue' websites.

On 'Senna,' it got to the point where there was so much footage that our first editor had the wild suggestion that we only use the archive.

I was spending all my time at the 'Crimson' - like, 70 hours a week - and I didn't go to class for, like, a year. I failed out of school. I had to leave Harvard, really, halfway through my tenure as the 'Crimson' managing editor. It was this incredibly humiliating and shocking experience.

I write about people I think are interesting, and then I discuss it with my editor, and she decides if she thinks it will be interesting to children as well. If I have no great interest in the subject, I find the work to be terribly boring. And if I find the person interesting, I love the research part and, by extension, the writing as well.

I didn't even know what a beauty editor was. It sounds like a fictional job if you think about it. You get to test lipstick and perfume and nail polish legitimately and call it work.

The successful editor is one who is constantly finding newwriters, nurturing their talents, and publishing them with critical and financial success.