Quotes About Post-production

I don't do any editing while we're making the movie. I sit down and watch it all with my editor, we make longhand notes on pads, and then we begin our work.

Taking employment out of the country - now that's taking away jobs. These shows employ a lot of people: production, post-production, music supervisors, camera people. A hundred people or more.

Music is, for me, a great tool of a filmmaker, the same way cinematography, the acting, editing, post-production, the costumes are. You know, to help you tell a story.

I'm attracted to directors in general because I appreciate the work and the job they have to do. I watched the post-production, I watched the pre-production... post-production is something that I'm very interested in and I did spend a lot of time in editing rooms when I was young pretending to be sick.

There are a lot of aspects of filmmaking that I love, but one of my favorites is in post, finding the right song for the right moment.

Normally, if you're lucky, the idea of a film you have in your head is more or less what you get back when you see it after the editing and the whole post-production process.

There are two phases to a movie. First you shoot the movie, and then you make the movie. Generally, post-production is longer than filming.

Nowadays shots are created in post-production, on computers. It's not really photography.

Post-production is kind of the death of hope. The money has been spent. The grand ideas are either there or they're not there. So music oftentimes has to compensate if there are issues, or it has to stay out of the way if the movie is working really well.

I would say that there's definitely some advantages with me being able to talk shop with some of the effects people. Because I come from a post-production world, I can speak shorthand with them. I don't think many other actors can say that and know how the process 100% works.

I try to listen to a lot of music when I'm in the mixing process of a record, when I'm in post-production and trying to get everything to sound a certain way.

Editing and post-production is so important with comedy.

I cannot state enough how important post-production is for the success of a horror movie. You bring so much to it with the way you edit it, the way it is sound-designed, and the way the music works with it.

I worked in a post-production facility for television, but in the machine room, so I was one of the nerds, essentially - making sure everyone had their footage in and all of that stuff.

I accept that 'Ee Varsham Sakshiga' had some flaws, which could have been rectified during post-production.

I was so in debt by the end of 'Dust Devil,' having picked up the tab personally for the post-production of the movie, and having no way to recoup because I didn't own the rights to the movie. There was no way I could see any money back on it, so any money spent was just a dead loss.

Financing for 'Shotgun Stories' was initiated with money from close friends and family. This is where the money to go into production came from. After production, a company called 'Upload Films' came on board and provided post-production funds and services. In both instances, people were taking a gamble on us.

When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.

Kaante' will help the film industry. Very few films are like this one - pre-production in Europe, one-schedule shoot, well planned post-production.

Film school didn't prepare me for the fact that you have to manage so many different personalities at every stage, and I learned nothing about what to do when a movie was finished.

It's always a challenge to shoot a period film and not have it look like you hit the tea stain button in post.

People recognize certain things, like 'D' means 'this dialogue stinks.' We're dealing with shows that are written here, shot in New York and posted back here. Accurate communication is a necessity.

Robert Altman was a very jovial guy and obviously a famed improviser and perhaps less effective in post-production, which is like the crystallising process. So I found myself at sea often with him because we'd have conversations about what music is, and in the end, I don't know how interested he was?

You know, post-production is a bit of a grind to me. If I'm producing a film, I really... I mean I like editing, but all the other crap, the color mixing and... it's all a grind. And so as a result I cut back producing the number of films I was producing.