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we may say that whenever a statement in Scripture conflicts in its apparent meaning with a conclusion of demonstration, if Scripture is considered carefully, 5 and the rest of its contents searched page by page, there will invariably be found among the expressions of Scripture something which in its apparent meaning bears witness to that allegorical interpretation67 or comes close to bearing witness.

I found once you start writing about God it's really fun. It's like a rock singer saying "baby." "Baby, baby, baaayy-by." You start saying "God" on the page and you don't want to stop.

When people go to a web page, the thing that they want more than anything else is instant clarity.

On Stranger Than Fiction, the script was so good that I stuck to every line because it was just such brilliant writing from Zach Helm that I felt like I really just want to shoot the page.

It was all very unmaidenly, of course; but maidenly is a word love and life and desire may crowd from the page.

Only wings evade death. Neruda says so.' As he turns the page he looks at Zara and makes his bright blue eyes big. 'And Neruda knows.' He reaches for his pipe. Zara stares at him for some time. 'Was he a friend of God?' Who? Neruda?' Yes.' He may have been, I'm not sure, petite. For all we know he may even have been God.

I convinced myself that committing them to a page meant the memory was saved, somehow, from the corrosive effect of time.

I think relaxation is escaping from your everyday encounters. You can read the words on a page and be transported to somewhere else. And the more consumed you are with it, the more you're cocooned.

I don't really know what an adverb is. A dangling participle? That sounds really rude. I don't know what character is, really. Plot seems vaguely juvenile to me. It's all about language, it's all about how you apply it to the page.

A page of my journal is like a cake of portable soup. A little may be diffused into a considerable portion.

Every word on every page, represents a love that captured this heart... fully, and never set it free.

I read the line over and over as if I might discern the little fires set the flames of an idea licking the page how knowledge burns

I'm on page 65 of 368 of Sleepless: I would never dream of killing an excellent tailor, not even to keep a secret that could endanger my life.

Tinker wrote neatly, though his spelling was not good, Ruth's recipes would never fail for confusion between 'add sugar' and 'seethe', but Jane's writing looked like an intoxicated inky spider had staggered across the page on the way to the bar for another drink. Which it really didn't need.

Television has a real problem. They have no page two.

In the act of writing he experiences, today, an exceptional sensual pleasure -- in the feel of the pen, snug in the crook of his thumb, but even more in the feel of his hand being tugged back lightly from its course across the page by the strict, unvarying shape of the letters, the discipline of the alphabet.

The page is long, blank, and full of truth. When I am through with it, it shall probably be long, full, and empty with words.

And I love the twist. I love to fool you once, I love to fool you twice, and on the very last page, quite often - very last paragraph sometimes - I like to just play with your perception one more time in a way that makes everything that came before just a little bit different.

What helps writers, and ultimately, obviously, helps the actors - who should serve the words that the writer puts on the page - is if the character has damages, because then the writers can cultivate and excavate, like a dentist going into a tooth.

The page is long, blank, and full of truth. When I am through with it, it shall probably be long, full, and empty with words.

With writing, on the other hand, every mark on a page was visible simultaneously. Why constrain writing with a glottographic straitjacket, demanding that it be just as sequential as speech? It would never occur to them. Semasiographic writing naturally took advantage of the page's two-dimensionality; instead of doling out morphemes one at a time, it offered an entire page full of them all at once.

… with a sudden sharp hot stink of fox,It enters the dark hole of the head.The window is starless still; the clock ticks,The page is printed.

Now there are certain things you have to prepare - like dialect and special skills. But in the moment, interaction between two characters on the page doesn't need - for me, I don't need to prepare that.