Quotes About Emotional

I don't know how to put it, but yet you know we have so many people who the way they look at life, the way they work depends on what happens, us winning or losing. It's kind of crazy. So, I kind of got caught up in that, I'm gonna try to stay away from that.

The silent movie is an emotional cinema: it's sensory; the fact that you don't go through a text brings you back to a basic way of telling a story predicated on the feelings you have created.

I haven't made a career off my looks, thank God, but hopefully how I've moved people emotionally, the directors I've been able to work with, and the stories I've been a part of.

I don't think a lot of actors talk about it, but there's usually a process where you essentially purge yourself of the character that you played prior to the movie. That's the first thing. You want to do it.

For me, the first thing that I respond to - whether it's doing a play or movie or television or anything - is just the character. Is this a guy whose shoes I want to walk in for the next 12 days or six months?

Infertility is this huge emotional roller coaster. If you want in your heart more than anything to have a baby, it's the hardest thing you will ever go through physically, emotionally, and financially.

If all you have is satire, your show will close. Even if all you have is comedy, your show will close. The hardest thing is not making people laugh: the hardest thing is building an emotional story. Any child can make a group of adults laugh.

The hardest thing to do when people are hurting you is to remain a decent person.

I've spoken with friends who are rabbis and priests and we've agreed that most people have an emotional attachment to their faith, a desire to fulfill their spiritual longings, but they are not experts in understanding the history of their religion.

I have an increasing sense that the most important crisis of our time is spiritual and that we need places where people can grow stronger in the spirit and be able to integrate the emotional struggles in their spiritual journeys.

You are preparing yourself for a scene, and the most important thing is to remain emotionally available and remain in the moment with your scene partner. You don't want to let your own self-consciousness block the flow of creativity that's coming out so that you can act and react, and play what the scene is all about.

The one thing you have to do if you write a book is put yourself in someone else's shoes. The reader's shoes. You've got to entertain them.

'Supermodel' was a hard record for me; it was an emotional record to write. I was purging a lot of stuff with that album, and I think the one thing I didn't really consider, that I'd be supporting it for two years and living in that state of mind every night.

The language of film is further and further away from the language of theater and is closer to music. It's abstract but still narrative.

I hate the idea of theatre just being an evening pastime. It should be emotionally and intellectually demanding. I love football. The level of analysis that you listen to on the terraces is astonishing. If people did that in the theatre... but they don't. They expect to sit back and not participate.

When I am shooting, I am inside the theatre, when I am in the editing room, I am inside the theatre. I always try to feel what they will feel. I see a film, not as a director, but as the audience. If I am entertained, they will be, too.

If a composer is to reach his audience emotionally - and surely that's what theatre music is all about - he must reach the people through sounds they can relate to.

When you come out of the theatre and you don't even talk about that film or remember it, then it disappoints me.

I used to do karaoke with Patrick Woolf in a karaoke box, and he would ring me up and say, 'Come down and do karaoke with me here,' and then we'd sing Kate Bush songs and get really, really emotional and theatrical in the booth.

Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour.

With 'If I Stay,' I want you to feel that the whole story is being told from a larger, spiritual point of view. So the beginning is very theatrical.

The humor and emotion of the 'Do You Want to Build a Snowman' theme makes me cry every time I watch it, and that deep emotion is something we'd love to do on the show. If we can make you cry, we always try to. And 'Once,' when it's at its best, is emotional and fun.

'American Music' is an inventive, passionate, pithy novel whose major theme is love itself and whose minor theme, music, is an emotional, meaningful counterpoint. Like Count Basie and His Orchestra, this book swings.

Fewer people than you might think seem to have truly enjoyed their formative education and, for those who did not, one theme in particular recurs: the breathtaking cruelty of children.