Quotes About Emotional

It's always hard to wrap up a series. The longer I spend with the characters, the more they become like friends.

I have an eight-year-old child, and I literally can't wrap my mind around the kind of grief that must be felt when you lose a child.

I'm the father of two boys and two girls, so I'm more an emotional wreck than a mushball.

Dad was just an emotional wreck. He was drinking a lot of the time, he was smoking a lot of pot. And because he takes certain medications, the drinking was making him... you know, he wasn't even present, really.

People are beautiful wrecks.

One lesson I learned from 'The Monstrumologist' was never to get too attached to your own characters. That's harder in practice than in theory. At the end of the third book - which coincided with the end of my contract - I was an emotional wreck. I mourned Will Henry and Warthrop.

After my head injury, I was, like, bipolar, an emotional wreck.

If I can stay healthy, then I can wrestle every single week. I want to make every single town that I can, see the whole world, feel every crowd in every arena, and pull those emotional strings. I can't explain what it feels like to be in the center stage connecting with thousands of people, but I'm having the best time doing it.

Winning the championship at 'WrestleMania' was a dream come true because not only had it more than a decade since there had been a women's singles match at 'WrestleMania,' but the fact that I got to win it against my best friend in a storyline that was so close to my heart, it was just all kinds of emotional.

My songwriting is very personal. The music that influenced me was so impactful that had I grown up somewhere else, I know I would still write the same way I do because of those influences.

A good script is like a work of art in itself. I've read hundreds of scripts, and good ones are very rare. If the writer has something to say, and a voice, and a plot that matches character, and an emotional trajectory that works, then I'd be an idiot to fool around with it. It's just that few scripts ever are like that.

Something mystical happens to every writer who goes to the Masters for the first time, some sort of emotional experience that results in a search party having to be sent out to recover his typewriter from a clump of azaleas.

The paradox of modernism is, writers make the decision to work with the continuous present, and to work with... stream of consciousness, as it's called, for emotional reasons, and the main emotional reason is verisimilitude. I mean, this is what surprises people: Life is not in the simple past.

I'm inspired by artists like Robyn, just because she writes amazing pop songs, and they're not throwaway. When I listen to a Robyn pop song, I don't feel like she's just kind of saying something and not thinking; I feel like it's really emotional.

The ambition of 'Ten Thousand Saints,' Eleanor Henderson's debut novel about a group of unambitious lost souls, is beautiful. In nearly 400 pages, Henderson does not hold back once: she writes the hell out of every moment, every scene, every perspective, every fleeting impression, every impulse and desire and bit of emotional detritus.

I think that Chad Gray is one of the most honest, emotional, real vocalists there is; he really takes a lot of pride in writing the lyrics, takes a lot of time with them. He writes and re-writes more than just about anybody I've ever been around.

When Maurice touched a keyboard, it was like something from a movie, magical. He would always give you something from a movie, and you'd go, what did you just play... immediately inspirational writings, amazing. That's what we're going to miss.

Writing 'Men We Reaped' broke me in different ways at different spots in the drafting process. The first draft was hard because I was just getting it out. In some ways, that draft failed. I was really just telling the story, not making assessments - this happened, then this. Just putting those facts down on paper was really painful.

',Alive' stems from emotional growth and contentment. Before writing the song, I was swimming in a pool of hurt, guilt and spiritual discomfort. Instead of drowning, I decided to embrace these feelings and express gratitude for the lessons learned. With this new-found sense of life, I am stronger and happier than ever.

Chopin's theme, a simple descending descant the first time round, articulated itself in the repeat with nuanced embellishment. It was music remembering itself. It meant something different, something more, to hear those simple phrases repeated so soon, qualified by chromatic variations. Clarifications. Not redundancy, but a hypothesis about how consolation works. A second chance at getting it. A second chance at life.

It was hard to tell what her weapons were, except for that sort of inane good sense and emotional honesty.

Secret of Adulthood: Make sure the things we do to make ourselves feel better don't make us feel worse.

It's a Secret of Adulthood: Make sure the things we do to make ourselves feel better don't make us feel worse.

It is a delicious thing to write, to be no longer yourself but to move in an entire universe of your own creating. Today, for instance, as man and woman, both lover and mistress, I rode in a forest on an autumn afternoon under the yellow leaves, and I was also the horses, the leaves, the wind, the words my people uttered, even the red sun that made them almost close their love-drowned eyes." ? Gustave Flaubert