Quotes About Emotional

Mindsight is a teachable skill at the heart of being empathic and insightful, moral and compassionate. Mindsight is the basis of social and emotional intelligence, and we can model this for our children as we help guide the development of their changing brains.

mental health as our ability to remain in a "river of well-being.

The experiential, subjective side of reality is non-objective in that you couldn't weigh it, hold it in your hand, or capture the subjective nature of such inner experiences with a camera—not even with a functional brain-imaging scanner. This

Como pronto explicaremos, las investigaciones longitudinales sobre desarrollo infantil muestran que uno de los mejores predictores para saber cómo será nuestro hijo –en cuanto a felicidad, desarrollo social y emocional, dotes de liderazgo, relaciones significativas e incluso éxito académico y profesional– es si ha adquirido seguridad por tener al menos una persona que estuviera presente para él.

Un niño puede tener un apego evitativo en su relación con un progenitor y, aun así, disfrutar de un apego seguro, junto con los beneficios correspondientes, con otro cuidador.

It begins with rethinking what discipline really means, reclaiming it as a term that's not about punishment or control, but about teaching and skill building—and doing so from a place of love, respect, and emotional connection.

It was beyond imagining that bad font influences judgments of truth and improves cognitive performance, or that an emotional response to the cognitive ease of a triad of words mediates impressions of coherence. Psychology has come a long way.

I am very conscious of the viewer because that's where the art takes place. My work really strives to put the viewer in a certain kind of emotional state.

I guess if you try to write with honesty and emotional truth, then that will resonate no matter what the age of the viewer.

I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.

The idea of viewers getting invested in a series is that you're getting invested in the reality of these characters' lives that, in fact, don't have an ending.

For the broadcast business to be successful, viewers need to be not merely interested in our political melodramas, they have to be in an absolute state about them - emotionally invested in the outcome and frightened not to watch what happens next.

The underlying message of the Lancet article is that if you want to understand aggressive behaviour in children, look to the social and emotional environment in which they are growing up, and the values they bring to the viewing experience.

I have a huge emotional attachment to characters I've created, especially the viewpoint characters.

I didn't expect to feel pathos for the villains in our show. I feel quite moved in several of our episodes; I never realized that a show like 'Motive,' which aims for a broad appeal, could have that sort of emotional impact.

There's an underlying sense that your family should accord you a greater level of safety in your interactions with them. When that's violated, it's particularly brutalizing.

Mental violence is as bad as physical violence. You don't see that very often in movies, so it was a good subject to tackle.

Violence is violence. Trauma is trauma. And we are taught to downplay it, even think about it as child's play.

Many low-income children face chronic stress from nutritional deprivation or persistent violence at home or in the community. By addressing their medical, emotional and developmental needs through a comprehensive clinical care model, we can lower their risk of developing long-term physical and mental health issues.

I think anybody who has been abused as a kid - and I was abused as a kid, by various people - will say it's irrational because violence is irrational.

When you grow up in a violent home, the fights, the screaming, the pain all blur together. To survive, you block as much of it out of your head as you can in the moment. You try to forget it going forward.

The greater the feeling of inferiority that has been experienced, the more powerful is the urge to conquest and the more violent the emotional agitation.

I come from a violent background. So I became hard. I realised that I had made myself that way to deal with a feeling of abandonment and shame.

My biography of Frank Sinatra is not paean to his music but rather an illumination of the man behind the music, who once described himself as 'an 18-karat manic-depressive who lived a life of violent emotional contradictions with an over-acute capacity for sadness as well as happiness.'