Quotes About Emotional

For me and my films, I want my audience to experience cinema in its full glory. It's not just visual, it's audio as well. It's emotional, and I want you to be engaged with not just the scene but with the characters.

'Stimela' is the very first video I directed. I wanted it to be an emotional visual art piece, displaying humans as free, powerful animals. We are all running from something or searching for something; our instincts have been ignored.

I've always loved painting, although I never show anyone what I've done. Mainly because I don't do it well. But it's like a form of visual diary for me. A way of fixing things in my mind.

For me, the perfect film has no dialogue at all. It's purely a visual, emotional, visceral kind of experience. And I think one can create wonderful depth and meaning and communication without using words. I started out as an illustrator and a cartoonist and caricature artist, so for me the visual is primary.

What you can do with visual effects is enhance the look of the character, but the actual integrity of the emotional performance and the way the character's facial expressions work, that is what is going to be created on the day with other actors and the director.

It's vital that my partner and I are in constant discussion with each other and with our sons about how they're developing emotionally and physically within their peer groups.

I don't question the importance of learning how to cook at school. It's vital that children know how to create a few dishes to sustain themselves in later life, but that's different from the emotional, nurturing environment of the home kitchen with Mum.

I often say that the opposite of depression is not happiness but vitality.

I've read and heard that some of the most inspiring vocal interpreters adhere habitually to one rule: Always think the lyrics as you're singing them, so that the sentiment is always appropriate and heartfelt.

As vocal as some people have been about how emotionally attached they've been to celluloid, I've been equally emotional in my stance that nothing is more valuable than this. Than being able to see the result of your work quickly.

'Rent' audiences tend to be pretty vocal. They scream and cheer a lot.

As a songwriter and as a vocalist, Adele is amazing. You have that. But then there's something about her that's just very honest. I feel like so many people across the board can relate to her and who she is. She's just so appealing and very real.

Recording vocals has the same kind of physical demands as you experience a lot in theater work.

Under-sung vocals can be very sexy because of the intimacy, but they can be just as heartbreaking for the same reason.

If you like an instrument that sings, play the saxophone. At its best it's like the human voice.

The Soul is the voice of the body's interests.

What is most important to me is that my narrator's voice is believable, and that, though it is clearly an absolute fiction, it has the emotional resonance of memoir.

A film is being made on his life, so as a daughter and as a singer I will definitely be a part of it - not only in terms of the music but also in other aspects. It's an emotional project for us, every member of Kumar family will be associated with it. I am very happy to lend my voice in my father's biopic.

I assume the body language no matter what in doing voiceover. There is a transformative aspect.

I'm much more comfortable speaking through my characters' voices than my own.

A lot of actors, and artists in general, never feel secure in love. They always feel everything's going to be taken away from them, professionally and personally; they're extremely emotional and volatile.

My father believed strongly, and taught me, that you can't let yourself get too high on a success or too low on a failure. In this volatile business, that's useful to know.

My dad was an alcoholic, growing up, so I knew how scary that was from a child's perspective - the volatility.

We have to learn how to manage self-inflicted pressure.