Quotes About Emotional

I'm quite an emotional person. I cry a lot. I do not like conflict, so if I have an argument with my parents, I'll often cry. I become too emotional.

I like literature that you respond to in some way. You laugh, you cry, you turn the light on - that's great, it's eliciting a response by proxy.

I can cry all day long - that's easy for me.

I've had scenes where I had to cry, and by the time I've cried for the 20th time, I'm exhausted.

I've always been good at putting things behind me - I fall apart, do my crying bit and then put it away and move it.

If the point of the inner-child movement is to cure adult problems, it doesn't work. Reliving childhood traumas gives you a nice afterglow, but it lasts only for hours or days. There is no evidence it changes adult problems.

Food became my coping mechanism and I've never been able to break that cycle.

When I say I can see through clothes, sometimes I try to use it as an X-ray vision to look into the dancer and see who this dancer is right now, at this exact moment in time. I live inside them in a way.

I'm not taciturn and stoic.

Acting requires emotional flexibility and demands, and directing is more cerebral and managerial and a tactical kind of thing.

I'm not particularly tactile.

The first album is dark and introspective - tailor made for England.

Nostalgia is a powerful drug. Under its influence, ordinary songs take on dimensions and powers, like emotional superheroes.

If you're going to be that kind of actor and go way out there, it's really important to take care of yourself and have a safe place, whatever that is.

I've taken great pride in not being fragile.

Part of growing up is just taking what you learn from that and moving on and not taking it to heart.

My mother's childhood was complex, disjointed, and disturbing. As children, we would gather round and ask her to tell us again and again The Story of Her Childhood. It was Grimmsian, Andersenesque: a classic fairy tale replete with goodies and baddies.

Like Juan Gabriel and Ana Gabriel, both singers and songwriters of legendary talent, Marco Antonio has reshaped a kind of Mexican romanticism. What he brings to pop music is the kind of songs that really talk to people's hearts.

It's always the girl comedy and the guy comedy. It bums me out. You'd think there'd be a progression, from James L. Brooks and Nora Ephron into more subtle humor and behavior and psychology. All these interesting things people can learn about themselves by watching talented writers comment intelligently on someone else's emotional life.

Gymnastics, for me, gave me a lot of self-pride: that drive to want to be great at something for myself. But it also gave me a sense of appreciation toward God. Now that I'm getting older, I really appreciate the talents God gave me. Not just physically, but mentally and emotionally.

The first rule of the C.E.O. psychological meltdown is 'Don't talk about the psychological meltdown.'

I lost boundaries as a child that I didn't even realize it and it wasn't talked about back then. You know, it was something you just buried and dealt with, and moved forward. What could you do about it?

I was in the middle of a crossroads, which is a nice way of saying crisis, physically, emotionally and spiritually. You know the physical part. We just talked about it.

I talked about my father being abusive to my mother - people have never heard me talk about anything like that. That brings people a little bit more personal with Missy.