Quotes About Emotional

My vibrato was my weakness. With romantic pieces, I could be a lot more schmaltzy. My wider vibrato fit that.

The abrupt and sudden death of my wife has taken a severe emotional and psychic toll on me. On top of that, some people have stooped so low that they have tried to use my personal tragedy for their personal benefit.

A comedian is sort of like a wild animal. It really just depends on where you catch them. Sometimes they want to cuddle up, and sometimes they'll snap at you. But for me, more often than not, if I'm talking to somebody who makes their living in comedy, it'll be a very thoughtful conversation driven from an emotionally honest place.

It's 'Sharknado,' people. No one's expecting a tear-jerking, gut-wrenching emotional piece. This is just wild sci-fi action/adventure at it's finest. It's one of those dopey movies that come on in the middle of the night, and your eyes just stay open watching it 'cuz your glued to it, 'cuz you're just compelled to continue to watch it.

When I see the Ten Most Wanted Lists... I always have this thought: If we'd made them feel wanted earlier, they wouldn't be wanted now.

Nevertheless, I tend to get offensive easily.

One of the strongest features of Puritanism is its autobiographical tendency, its passionate self-regard.

'Tender' is my most strongly autobiographical play.

I'm tender on the inside.

The point is that I am such a big fan of Puccini and that Butterfly is the most difficult and complete role that you can imagine. Just to sing it with a good voice is not enough: it asks tears from your soul. I am very emotional on stage, and the music is so tender that I suffer for real when I am singing it. So I cannot do many performances.

The discussion about energy options tends to be an intensely emotional, polarised, mistrustful, and destructive one. Every option is strongly opposed: the public seem to be anti-wind, anti-coal, anti-waste-to-energy, anti-tidal-barrages, anti-carbon-tax, and anti-nuclear.

People in chorus tends to be much more emotional or at least wear their hearts on their sleeve. They are generally the kind to hold hands and cry. It's just a different personality type.

Even though there are a lot of bright tennis players out there, you still have to protect yourself and save all your mental and emotional energies for tennis.

If the main character's not in jeopardy - physical, psychological, emotional, whatever - then you don't have any tension, and you don't have a story.

The only way to really portray a character and tell a story well is to be flexible internally. And one of the ways we're blocked as actors is being aware of where our bodies are carrying tension.

Maybe by nature and because of my past I protect myself. The minute I feel any tension I take myself away.

In playoffs, it's so emotional and the tension's really high and guys are laying everything on the line. And when you do that, things get chippy and guys are playing aggressively, and I think it just comes out in the playoffs a little more. When you know what's on the line and what you're expected to do, it just comes out.

Quarantine has really affected me in terms of thinking about what the rest of the world is going through and what isolation within a small space might be like.

In terms of my involvement in 'don't ask, don't tell' and marriage equality and anti-bullying and social emotional learning in schools - these are all things that arise out of my relationship with the world and with my fans.

There was a great strain in our family because my father didn't want anything to do with me. He was happy to see my brother and sister, but not me. I don't know why. Maybe it was shame. I don't know. But he never wanted anything to do with me. That rejection was terribly hurtful and it went on for years.

If mothers are our first teachers, then having a narcissistic one teaches us that human closeness is terrifying, and the world is a heartless, inconsistent place.

Japanese horror films take the business of being frightening seriously. There is no attempt at postmodernism or humour. They are incredibly melancholy, with a strong emotional core, while remaining absolutely terrifying.

The issue of Kashmir is both political and emotional in nature. Any pragmatic and lasting solution needs India and Pakistan sitting together on a table and discussing a solution that addresses the aspirations of Kashmiris and does not compromise the territorial integrity of either India or Pakistan.

If you're venturing into territory that is slightly operatic, it all has to be done so carefully.