Quotes About Closure

And I think that at a certain point, after all the time and all the conjecture and everything that had kind of gone on surrounding this show, I think that Mitch just felt like it was time to let it go. It was best for the show.

Instead of abandoning competition and giving banks protected monopolies once again, the public would be better served by making it easier to close banks when they get into trouble. Instead of making banking boring, let us make it a normal industry, susceptible to destruction in the face of creativity.

I still read romance, and I read suspense. I read them both. And part of it is, I like stories with strong characters, and I like stories where there's closure at the end. And I like stories where there's hope. That's a kind of empowerment. I think romance novels are very empowering, and I think suspense novels are, too.

I have a very healthy relationship to my work, and I find that if a scene is working, no matter how intense it is, you have the catharsis on screen, and you can let it go. I think it's, if at the end of the day you feel like you haven't cracked it, that's when you go home and it's more difficult to switch off.

Switzerland is a country where very few things begin, but many things end.

The Swords were still interesting but by then a cast of characters had started to appear and go on from book to book, and other things about the world began to feel constricting. And there were other things I wanted to do, so I closed the series up and stopped it.

It's just hard that moving on sometimes means leaving people behind.

After the economy collapsed following the mill closure, the townspeople apparently tried to find other ways to make money. The two-block main street has boarded-up signs for the Bead Store Emporium and Nature's Gifts. She has come to recognize bead stores as indicators of economic doom.

There comes a time when all the secrets are told and all that is left are their spent ghosts.

Hayden] white argues instead for histories that avoid narrative closure and that highlight the contingency of the past ... He points especially to chronicle - a form marked by a lack of closure - as a useful alternative to the narrative. In a chronicle, historians offer an interpretation of the past but simply end the account when they reach the present.

Well, I've had enough. I can't trust you, Darcy O'Mara. I don't want to see you again.

Getting over things is often about helping people to learn how to get their minds to let go of things. It means that you put your problems into the past where they belong.

I have always wanted to write a book that ended with the word 'mayonnaise.

As with almost every long oration, there were loose ends.

When it can't go on, that's when this will end. Then they'll never see each other again, except for always.

the sadness of completion.

Mystery is not something that you cannot understand, but it is something that is endlessly understandable! It is multilayered and pregnant with meaning and never totally admits to closure or resolution.

Contemplation is waiting patiently for the gaps to be filled in, and it does not insist on quick closure or easy answers. It never rushes to judgment, and in fact avoids making quick judgments because judgments have more to do with egoic, personal control than with a loving search for truth.

Contemplation is waiting patiently for the gaps to be filled in, and it does not insist on quick closure or easy answers.

Love is the source and goal, faith is the slow process of getting there, and hope is the willingness to move forward without resolution and closure. And these are indeed, 'the three things that last' (1 Corinthians 13:13). People who have these gifts—faith, hope, and love—are indestructible.

Perhaps all the dead must go home before they can leave for ever.

Our business is concluded.

And that, after all, is how it ended. Quietly. In a world muffled by the gentle, forgiving hand of snow.

But I'm not ready to let Winn-Dixie go.