Quotes About Perseverance

Nine Inch Nails is like building an army to go conquer. We build it, then we play, and we have to play so much to validate building it, financially. It leads to getting burn-out because a tour that would be fun if it lasted three weeks has to last 15 weeks.

There was always a piano in the house when I was growing up - my dad played, and I thought it was cool - and when I was eight, I begged my parents to let me have lessons. After a couple of weeks, I wanted to give up, but my parents were very focused and made me keep going, which I'm very pleased about now.

I'd challenge myself to see how long I could go without a fall - on beam, I once went three weeks.

I probably make more money in a year on 'Newhart' than 70 percent of your working top-name stars. Some weeks I just have six lines, but it doesn't bother me.

The magic of landing my first role on Broadway went 'poof' in a matter of a few weeks.

My training really was at the 'New York Times,' you know. When I got there, I was literally supposed to stay there for five weeks, and I got lucky like nobody, you know, like nobody's business.

The Olympics meant everything to me. Going through them is like nothing else you will ever experience. For those few weeks, you are in another world. At that point, I couldn't see how there could ever be anything better.

For my 23rd birthday, I received a nylon string guitar. I told myself that if I could play Eric Clapton's 'Tears In Heaven,' then I could play the guitar. I practised every chance I got, driving my housemates insane, until several weeks later I had a shaky version of the song down. I wrote my first song on the guitar a few weeks after that.

In L.A., I worked as a bagger at a Ralphs for about two weeks. And I said, 'I just can't do that.' Not that it's a bad job. I would put the bread down and then the cans down on the bread, so I got fired. Or I just left. I'm not really sure which one happened.

A couple of weeks before the 1992 Houston Open, I was probably as low as I could get confidence-wise. I didn't think I was going to go any further, and then, out of nowhere, I won that week. That kind of got me going.

Starting out, iRobot was not an economic rocket ship. It took six and a half years before we had enough money in the bank at the beginning of each month to make payroll. We always made it - we paid salaries at the end of the month, and I always had four weeks to figure things out.

Musical accidents are a gold mine. The thing about accidental discoveries is they won't be made unless you put yourself in a position to make that discovery. To do that means hundreds of hours, days and weeks where you do things and don't discover anything.

I'm a very competitive person, and I always competed with myself. Every year, I'd take six weeks with my band, crew and choreographer to put a new show together. We'd spend eight hours per day, seven days per week putting a show together to beat the last year's show.

I think I wrote 'The Trysting Place' in about three weeks. But it was inexperience that made me have to do that. I didn't feel good about the book all the time I was writing it. It felt a bit like wading through molasses.

The triathlon can be a very hard sport to train for. You see all the time when people try to improve - like their swim, for example: they train really hard for two to three weeks, and then when they go back to normal training, the swim goes back to where it was before.

After that first month in Sydney, I went home for two weeks. I didn't want to ever go back because it was so hard.

Don't weep for me; don't write any sob stories.

Do not weep for me.

In the early days, it was, you know, I used to weep while I was writing. I used to grab at any kind of anything, any hint, any tip of how to make it easy.

If I was to direct Ron Howard, I guarantee you, I would put him through a living hell every day. I would demand so much of him. We wouldn't quit until he leaves the set crying. Weeping! Spent!

Normally the lightbulb moments only happen after 16-hour days, lots of cups of tea and a bit of weeping.

To get down on the ground and get yourself up for an extended period of time at 245 lbs... that takes a lot. When you see those CrossFit guys, none of them weigh 245, I can assure you of that.

Small players learn to be intuitive, to anticipate, to protect the ball. A guy who weighs 90 kilos doesn't move like one who weighs 60. In the playground I always played against much bigger kids and I always wanted the ball. Without it, I feel lost.

My drummer was my best friend. It weighs on me that we put all that time in - I played with him for 15 years, beginning with 'Laguardia' - and we had moderate success.