Quotes About Interpretive

Being an actor all of my life is kind of a collaborative, social form of interpretive art. Sitting down with a blank page every day by yourself is a different feeling.

Visual storytelling combines the narrative text of a story with creative elements to augment and enhance the traditional storytelling process. By design, it is a co-creative process resulting in an intimate, interpretive, expressive technique.

and the birth of Jesus, two things become clear. First, in the witness to Jesus by the early Christians in the New Testament, they relied heavily on Old Testament "anticipations" of the coming Messiah. But second, Jesus did not fit those "anticipations" very well, such that a good deal of interpretive imagination was required in order to negotiate the connection between the anticipation and the actual bodily, historical reality of Jesus.

On acting to daughter Isabella Rossellini: Keep it simple. Make a blank face and the music and the story will fill it in.

My approach to portraiture is conceptual.

Dance should mean something to you.

The ambivalence of writing is such that it can be considered both an act and an interpretive process that follows after an act with which it cannot coincide. As such, it both affirms and denies its own nature.

It is a sound interpretive rule...that anything that cannot be accomplished except with the aid of threats or the actual exercise of violence against unoffending persons cannot be beneficial to one and all.

Emotions are the complex conjunction of physiological arousal, perceptual mechanisms, and interpretive processes; they are thus situated at the threshold where the noncultural is encoded in culture, where body cognition, and culture converge and merge.

Writing for nobody? Impossible. You fumble, you stop. I don't even take the trouble of expressing myself so that when I reread myself I can understand whatever it was I was trying to say. Gilles will figure it out, he'll work it through.

Translator's Note: When the violin repeats what the piano has just played, it cannot make the same sounds and it can only approximate the same chords. It can, however, make recognizably the same "music", the same air. But it can do so only when it is as faithful to the self-logic of the violin as it is to the self-logic of the piano.

But it is really impossible to decide this question by a glance at his person; the lines and lights of the human countenance are like other symbols,–not always easy to read without a key. On an a priori view of Wakem's aquiline nose, which offended Mr. Tulliver, there was not more rascality than in the shape of his stiff shirt-collar, though this too along with his nose, might have become fraught with damnatory meaning when once the rascality was ascertained.

As historical texts become rich and conceptually dense, readers may slow down not because they fail to comprehend, but because the very act of comprehension demands that they stop to TALK with their texts. In plain English, they pretend to deliberate with others by talking to themselves.

nothing in the literal meaning of those sentences blocks those wrong interpretations. In each case we understand the verb differently, even though its literal meaning is constant, because in each case our interpretation depends on our Background abilities.

The Emanuels described a third type of doctor-patient relationship, which they called "interpretive." Here the doctor's role is to help patients determine what they want. Interpretive doctors ask, "What is most important to you? What are your worries?" Then, when they know your answers, they tell you about the red pill and the blue pill and which one would most help you achieve your priorities.

Emanuels described a third type of doctor-patient relationship, which they called "interpretive." Here the doctor's role is to help patients determine what they want. Interpretive doctors ask, "What is most important to you? What are your worries?" Then, when they know your answers, they tell you about the red pill and the blue pill and which one would most help you achieve your priorities.

There's a lot of films that have relatively rigid road maps because they have a script and others that are less rigid because they have less of a script, like 'Elephant.' The road map becomes more interpretive, maybe, than one with a detailed script. Editing-wise, they all have their problems.

In addition to the interpretive frameworks of the mythological (classical-Greek), the theological (Medieval-Christian), and the existential (modern-European), would it be possible to shift our framework to something we can only call cosmological? Could such a cosmological view be understood not simply as the view from inter-stellar space, but as the view of the world-without-us, the Planetary view?

And I like to interpret music. So I think it's all interpretive.

If you have to tell a story without speaking, it's sort of like - I come from a dance background, so it's like a ballet where you have to tell a story with just your body. I think that's really interesting to have to tell a story with just your face and your mannerisms, and I'd like to tap into that world.

The word 'figure' from choreography . . . means something like a momentary attitude of the body or a fragment of a dance.

A successful interpretive language both tolerates ambiguity and takes advantage of it. "A language which has maximum compression would actually be completely unsuited to conveying information beyond a certain degree of complexity, because you could never find out whether a text is right or wrong," von Neumann explained

It is perhaps worth noting here that even Hayek cannot be held responsible for the ideological simplifications of his acolytes. Like Keynes, he regarded economics as an interpretive science, not amenable to prediction or precision.

My body can't demonstrate. It isn't willing to explore movements the way it used to. I've always had to find the movement in myself then show it in myself. If I've got the sense of movement for the character, I expect the dancer to get it too.