Quotes About Mic

Bobby Heenan to me, he was the best. Of all the guys that have been managers that can pick up a microphone and talk, he was a natural and so good. His character like mine was so hated, it was like a little weasel.

If I leave the mike in the stand, my hands absolutely move more. I'm not sure if it's a conscious thing.

Comedy is not about appearance; it's about rockin' a mike. Are they laughing? That's the only test.

I love the energy that comes when I get on the mic. It keeps me creative and I love to hear what the fans want, what they love or hate about it.

Singing is something I do every day - not every other month. When I touch the mic, the same thing happens every time.

Just me onstage with a mike having an intimate relationship with the audience. I don't get nervous for that. I just get excited.

People love to make comedians out to be miserable, dark, twisted people. And I just - I think a lot of people struggle with depression and mental illness and have issues and problems within their family. The mailman has it. Your neighbor has it. It's just that comedians have a microphone.

Stand-up was my entree into the entertainment world. I didn't have to act out somebody else's words. I could just stand there with a microphone, and nobody would interrupt me. It's the most narcissistic thing you could probably do.

I remember feeling the energy of people. That stuck with me. Understanding that I could stand behind a mic and captivate people. I was always obsessed with that.

For me, the Mount Rushmore of greats would be Ric Flair, Dusty Rhodes, Hulk Hogan, Bruno Sammartino or Lou Thesz. You can do either one of them in that fourth spot. But I think Ric Flair is the greatest of all time. He's the greatest I've ever seen... on the mic and in the ring.

There are a lot of comics at the top end making staggering amounts of money and selling out stadiums. I think stand-up is a more intimate thing than that. Maybe because of the kind of comedy I do. It's like a discussion, but I'm the one with the microphone.

Every time I could possibly be doing stand up, I am.

My older sister was into grime, so she got me into it. When I was ten, I begged her to take me to my first house party, where there were decks and a mic. I ended up falling asleep standing up in the corner.

I still do standup.

I go to more open mic nights than open mikers.

my forehead and armpits are spritzing like a berserk watering can cursed by an angry garden gnome. I roll out to center stage and fiddle with the microphone

I'm looking forward to a long, fruitful career now behind the mic, staying around the sport I love so much and the sport that changed my life for the better.

Usually a manager is put with someone who has got good rings skills, but is not necessarily good on the mic. So I have no idea why they put me with Steve Austin, he didn't need any help!

Cowboy James Storm and Eli Drake, those guys can talk and rile the people up.

I'm a news junkie. I generally ad lib it. I find a story I want to key off on, open the mic, drag it in the Dropbox, and they pull it out the next morning.

Just me onstage with a mike having an intimate relationship with the audience. I don't get nervous for that. I just get excited.

We're given this platform and this voice and this audience. We can either use it for ourselves or we can use it to bring awareness to issues that are going on in the world. I'm definitely on the side of using that microphone for good because you can touch so many people.

When I sit down to write a song, it's a kind of improvisation, but I formalize it a bit to get it into the studio, and when I step up to a microphone, I have a vague idea of what I'm about to do.

Mic is volcanic, rhymes spread across the planet, I send out the scribe, now the vibes gigantic.