Quotes About Ideas

I like to create whatever that pops up in my head, bring whatever idea to life.

People used to think that more population was bad for growth. In this view, people are stomachs - they eat, leaving less for everyone else. But once we realize the importance of ideas in the economy, people become brain - they innovate, creating more for everyone else.

My joking answer to this question is that I leave a bowl of milk out on the back porch every night for the Idea Fairy. In the morning, the milk is gone and there's a brand-new shiny idea by the bowl.

I've been a conservative my whole life. There is nothing hard-right or far-right about anything. I just believe in ideas and that ideas matter in history, and that's my background, and that's the way I'd like to be portrayed.

What's most important in animation is the emotions and the ideas being portrayed. I'm a great believer of energy and emotion.

I think being born in Panama was a blessing because Panama is a port city. It's a really - the mentality is that - I remember that of admitting things in. You know, ports, ideas come in and out all the time.

The ferment and viability in any society is directly proportionate to the number of people actively living their ideas. This is not positive thinking - it is positive action: the spirit of experiment.

I consider my job as a screenwriter to pack a script with possibilities and ideas - to create a feast for the filmmaker to pick from.

I think intelligence basically can be in a way defined by the possibility of having two opposite ideas living together and at the same time functioning. That's why I think a smart script has two things living in the same place, and they're absolutely contradictory.

I'm always open to the possibility that somebody's got a better idea than I have. It happens with some frequency.

I started to have these ideas for films. They were like running images in my head. But I didn't think I could be a director. I just literally didn't think it was a possibility. Then I started to suddenly see films of women.

Post-production is kind of the death of hope. The money has been spent. The grand ideas are either there or they're not there. So music oftentimes has to compensate if there are issues, or it has to stay out of the way if the movie is working really well.

I was notorious at NXT for having constant pitches and ideas. I was that girl who would come in every day to Dusty Rhodes with a 10-page pitch for characters and posters of character development.

This melting pot of experiences, interests, educations, backgrounds, and cultures makes the U.S. truly amazing. It's how we can come together to come up with new ideas, to collaborate, and to innovate without having to think about borders.

I learned early on that it's important to respect every idea as if it could potentially be worth something later.

I love writing. It's one of my favorite jobs. Of the things I get to do, I love sitting in a room and coming up with ideas, and I love going home and pounding them out.

It's imperative that I have another channel to pour ideas into, that have been with me for quite a while, that it would be hard for people to kind of accept on first listen. Some of that would be more classically based stuff and some more jazz based.

Death can never kill an idea. Ideas are more powerful than death. Ideas outlive men and can never be destroyed.

Ideas are more powerful than people.

Philosophy was once considered science.

I'm still constantly thinking of ideas. I don't feel 90. I think I'm about 12.

It is about the players that take us to success. When they feel your convictions you can sell them your ideas a bit better and take them to important results.

There's always another idea round the corner that I want to do. So while I can, it's important to do them, because there will come a time when I can't.

Film can do lots of things: It can produce alternative ideas, ask questions, just record the reality of what's happening, it can analyze what's happening. Of course, most commercial films are controlled by big corporations who have an interest in not doing those films.