Quotes About Song

In The Go-Go's, my philosophy is that I contribute whatever the song requires. I never think, 'What can I put in here to show off the latest trick that I just picked up?' What I think is, 'What's required from me as a drummer to make this a better song?'

With 'All Is Song,' I tried to construct a very traditional narrative that pulls no tricks.

The only thing that's a little tricky about it is sometimes people assume that if it's a new song, it's a reflection of what you're feeling or going through now.

If I'm going on any trip, driving music is key. Road Hammers is good driving music. I don't mind listening to my own stuff. You record it for a certain reason. You fall in a love with a certain song at a certain time and how you record it is a labour of love. You better love it.

For me, music is this incredibly cerebral trip. You turn on the radio or put on a record, and it's your song, it's what you see.

When people use their hurt and make a triumph in their song, that helps other people.

I think we all attract troublemakers; I don't think it's particularly about anyone. I had it actually as an album title, and I thought it would be really cool to write a song about a girl that's a bit of troublemaker.

From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.

There's only one drummer. We all travel to his beat. Well, I couldn't sing his song. Because for me, it wasn't a truthful statement. Well, Linda sang it, and it was a monster for her.

Even Crazy Horses is a good song, by the Osmonds. I've known many bands who have covered that. It's just a great song. I bought it in a brown, paper bag because I didn't want anyone to know I had it.

I finished your song, she said. Our last song. And I want to play it for you.

I think very frequently, musicians become a victim of every song they sing. I like all kinds of recreation. It's aggressive. I want to be part of everything.

I need a little bass and I don't even need that crazy bass to break your face. I just want it to sound good when I have my favorite song.

It's not that I don't love the song. My songs are like my children: some you want around and some you want to send off to college as soon as possible.

Caladan Brood, the menhired one, winter-bearing, barrowed and sorrowless . . ." Calot picked up the next lines.   ". . . in a tomb bereaved of words, and in his hands that have crushed anvils—" Tattersail continued, "the hammer of his song— he lives asleep, so give silent warning to all—wake him not.

the siren song/called silence

Power has voice, and that voice is the Song

Wyclef Jean performed the reggae song "Many Rivers to Cross," which

Why is the alphabet in that order? Is it because of that song?

Music, at its essence, is what gives us memories. And the longer a song has existed in our lives, the more memories we have of it.

They seemed to live every day as if it were their last, subject to a brutal vitality, a careless disregard for conventional behaviour. Yet this mood was tinged by a kind of wistfulness, like a thin song in the great vault of the night.

The sobbing echoes of the woman's song streamed away down the twisting alleys and the last particles of dust fell back on the street.

Sing a lust song," Bayard said. "Sing it for me.

I have a purpose, thought Ays. I am a purpose. And the winds sang their mournful tunes through the sand-scoured pipes and sails, conjuring a salt-sweat memory that surely must be false. A woman's song; a melody. The feel of sand and dry air. A sense of tombs, of ancient dust.