Quotes About Simplicity

When The Daily Muse initially wanted to launch a job board, our first ideas were insanely (and needlessly) complex. We wanted to integrate with social networks, gather rich personal data to build predictive algorithms, and put together numerous cool visualization tools before launching out to the world. We were just sure users would love it!

It comes down to something really simple: Can I visualize myself playing those scenes? If that happens, then I know that I will probably end up doing it.

I don't want to be entertained. I don't want visuals or musicals. I don't want a vacation. I don't want to quit. I don't want sympathy. The cry of my heart is 'Just Give Me Jesus.'

Almost every morning when I go to the studio to work, I discover a fresh rose in the bud vase on my dressing table... one living and vital thing in a dusty arena of powder and tissue and matches and greasepaint.

I used to overpack a lot and sometimes even forgot vital pieces of clothing, such as my swimming shorts and sandals. I'm much better now. I only take what I know I'm going to wear or use and always double-check my suitcase so I don't have to rush to the nearest clothing store when I unpack at the hotel.

Whatever the practical value of the Walden experiment may be, there is no question that the book is one of the most vital and pithy ever written.

I discovered that silent film is almost an advantage. You just have to think of the feeling for it to show. No lines pollute it. It doesn't take much - a gaze, an eyelash flutter - for the emotion to be vivid.

I preferred the simplest vocabulary.

I learned a lot from working with and watching Knxwledge, seeing how he produces non-stop. He doesn't dwell too long on stuff. He's very simple, using only about two or three elements. I like that in production. Sometimes it doesn't take more than three drums, a melody, the vocal, looping a sample or whatever, just as minimal as possible.

Just with the basic one guitar, one piano and one vocal and an audience, I think that the intimacy comes through more. People feel much more connected to the song because there's nothing in the way, and I actually enjoy doing that.

I definitely don't subscribe to the theory that more instruments, or more vocal tracks, harmony, or double tracking the voice, is a good thing. People do their early albums very stripped down, then each album becomes bloated.

In many ways, I've chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don't like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.

The thing with One Direction songs is that you can probably break them all down to an acoustic guitar and vocal.

What I love about piano and vocal is it's incredibly pure, and it gets down to the essence of the song because you're not distracted by an orchestra. When it's just a piano and a voice, it's about the purity of singing the song.

I can do the vocal acrobatics but I really try not to. I've always been drawn to singers who sing it like it is, pure, straight down the line: Ella Fitzgerald, Patti Smith, Carole King. Simplicity is really important to me.

I just like simplicity. I like simple songs, I like simple chords, simple vocals, simple lead guitar. I just like simplicity. That's just the way I like it.

I'm making a record that's half stripped down acoustic which is the way I perform a lot and half of it is very produced. It's really hard to keep music simple but I was trying to keep it simple and focus on one or two instruments and vocals.

The music that I listen to is very minimalistic. I listen to a lot of old blues that is just guitar and vocals.

I'm very much of that old-school mentality of believing that if it works with an acoustic guitar and a vocal, then it should work within any format - and especially when most of my live work is just guitar and vocals, so it really does have to work with only that.

I want to be able to show my vocals off and when I do do live performances, I'm going to do some acoustics just with a guitar and a stripped back version.

I love to do voiceover because, for me, if you know what you're doing, it's simple. No makeup, no costuming, none of the baloney. None of the egos - you don't have to deal with all that crap. I love voiceovers.

There's so much interference, so much static and people's voices talking about what you do and why you do it that I've learned to be like, 'No, no.' It's actually simple. I just do this.

What comedy does, for the most part, is it voices something so simplistically that people will agree with us, and then once you agree with something, you go, 'That's what I think.' So what you're trying to do is try to voice arguments that people get on a side with. So they can use that, maybe at a dinner party, themselves.

I've liked country music for as long as I can remember, especially the songs of Dolly Parton. Her lyrics are similar to mine: simple, expressive, from the heart. Our voices are in the same kind of register, too.