Quotes About Self-expression

I started off doing theater as a kid, and I always played a character. I hid behind the script and was told where to go. But to actually perform as yourself is very difficult. I didn't used to enjoy it, but now I do.

The only theatre I do is my own. Somehow, my life is the only life that I can play.

I liked theatre because I could hide behind a role I was playing, but now, I just love being on stage. I don't pretend that I'm anyone else, I just show my full range when I am up there, and it's very liberating.

My attitude goes back to my childhood. I used to audition for theatrical roles, and you can't stand out in a room full of ambitious eight-year-old girls by acting the wallflower. I realised then that I couldn't do things half-heartedly.

My number-one goal is to never feel like I'm strictly defining myself. The minute I feel like I'm doing that as anything - as theatrical, as feminist, as songwriter - I feel like the minute I name it, I'm stuck in a box.

Do not borrow the productions of other men's brains and pens and recite them as a lesson; but make the most of the talents, the brain power, that God has given you.

We are all sculptors and painters, and our material is our own flesh and blood and bones. Any nobleness begins at once to refine a man's features, any meanness or sensuality to imbrute them.

If there's one theme in all my work, it's about authenticity and self-expression. It's the idea that some things are, in some real sense, really you - or express what you and others aren't.

You don't need approval and you don't need an excuse or explanation for living your own life. Remember that." Oh,

This above all: To thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man. —William Shakespeare

I used to wear heels to work every day. Suits, dresses with jackets, skirts and sweater sets, even dress slacks, but I always wore heels. I liked being as tall as the men. I liked looking them in the eye." "You liked intimidating them," he accused.

But he stood there, his eyes riveted on that tattoo. She looked over her shoulder again. "It's called a tramp stamp," she said. "I got it when I was fifteen, to be cool." "I know what it's called. I just can't make out what it is." "It's vines in the shape of my name, and I'm not showing you any more of it. Let's get this show on the road, huh?" "Right," he said, going off to his toolbox.

And that was when I saw what Cassidy had done to herself: the gold and red ribbing on her sweater-vest, the matching stripes on her tie, the gray uniform skirt, and the navy blazer draped over her arm... "Is that a Gryffindor tie?" I asked. "And an official Harry Potter Merchandise sweater-vest," she confirmed smugly.

You forgot how to be awesome because you were too busy being cool

Fine! You guys can all be beautiful snowflakes! I'm gonna go over here and be an awkward snowflake!

Because the truth is always hard. Because being queer is hard, and coming out is hard, and it never stops being hard. The world keeps shoving into you. But you stand tall anyway. You take up space anyway.

But we're the ones who choose, in the end, how people see us.

Like tonight, when everyone dressed as zombies, and you wore that. I mean, don't you want to be like everyone else?" "Not particularly," I said, willing her to finally understand how much I had changed, and how very little she knew about me.

In eleven or twelve years of writing, Mike, I can lay claim to at least this: I have never written beneath myself. I have never written anything that I didn't want my name attached to. I have probed deeper in some scripts and I've been more successful in some than others. But all of them that have been on, you know, I'll take my lick. They're mine and that's the way I wanted them.

When I started writing full time I had not long stopped being a teacher and when at last I had a full day to write, I would put music on and wonder to myself - am I allowed to do this? Then I thought: 'I am control of this and no one is telling me what I can do.'

have of themselves. Hiding behind the crowd may be because of shyness. It may also be because of self-esteem issues. Similarly, being the centre of attention may be because of self-assurance or a way of masking the real self. Bringing these aspects to the client's attention through this visualisation may be a first step towards 'unmasking' and finding the true self.

To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not--this is the beginning of writing.

I can do everything with my language but not with my body. What I hide by my language, my body utters. I can deliberately mold my message, not my voice. By my voice, whatever it says, the other will recognize "that something is wrong with me". I am a liar (by preterition), not an actor. My body is a stubborn child, my language is a very civilized adult...

But in Japan, there are two very specific words to define these selves: tatemae, or the presentation of your public self, and honne, how you really feel.