Quotes About Stories

My son died from cancer. My granddaughter died from cancer. I have a lot of reasons to think that reality is not a friendly neighborhood. And the stories that I tell distract me, and if I do the job right, they distract people from things that are happening to them that they wish had never happened.

My brother Billy was the joke teller. My brother Jim had a really sharp, cutting wit. And the teller of long stories, that was my brother Ed. As a child, I just absorbed everything they said, and I was always in competition for the laughs.

All this is rather pretentious and fey to even talk about, but Flannery O'Connor sat down to write stories. The rest of us, some of us, don't have that kind of wit and genius. We don't do that. We sit down and have some accidents.

I think British journalists do well in America because the newspaper culture there is so strong - telling stories and presenting them readably is in their DNA. British newspapers get a terrible rap, but they are brilliant in their presentation, most of them, so full of vitality and literary wit.

I particularly like Alan Moore and Neil Gaiman. Both writers have wit and imagination and the breadth of stories they tell coupled with extraordinary artwork make for fascinating reading.

Fields make huge progress when they move from stories (e.g Icarus) and authority (e.g 'witch doctor') to evidence/experiment (e.g physics, wind tunnels) and quantitative models (e.g design of modern aircraft).

I really like supernatural stories, but, to me, 'Witches of East End' is really grounded. It's not just going for the magic tricks and keeping it superficial and action-y.

Family is so central to Afghan life that all Afghan stories are family stories. Family is something I simply can't resist because all the great themes of human life - duty, grief, sacrifice, love, envy - you find all those things within families.

The documentary feature film 'Legion of Brothers' tells the stories of the handful of U.S. Special Forces soldiers who, shortly after the 9/11 attacks, went into Taliban-controlled Afghanistan and, within a matter of weeks, overthrew the Taliban regime.

I make sure I have a smile every day for everybody because our stories within it have a darkness and we don't need to bleed it into real life because people have got their own issues going on. So I'd always come in and be the biggest idiot on set.

I don't concentrate on any one period of history; I like to locate my stories in wildly different eras and places. I seem to be drawn to large, sprawling, uncomfortable swaths of American history, finding embedded within them a tight narrative that involves strife, heroism, and survival under difficult circumstances.

Strictly' has evolved - there are such beautiful stories within each dance. We're not doing a ballroom and Latin competition, it's an entertainment show.

Witness protection just makes for exciting stories and it's a really rich sort of place to grab stories from... people starting over completely, saying goodbye to their lives before... it never ends in terms of story opportunities.

My writing is often a way of 'bearing witness' for others who lack the education and the opportunity to tell their own stories, so I hope that my writing won't be affected too much by my personal life.

Yes, Barack Obama had his clashes with the press. I witnessed those first-hand covering the second term of his administration. But we did not have Barack Obama on almost a weekly basis referring to the press as the enemy of the people and accusing reporters of treason and calling legitimate stories fake news.

There's something wonderful about that sort of Poirot, Agatha Christie-style investigation: cross-questioning all the witnesses and checking their stories, looking for means, motive, and opportunity.

Some of the songs are inspired by personal things that have happened. Others have been inspired by other people's stories, you know, like someone that witnesses something and so I tell the story through my own eyes. And some songs are just about how I feel about the world and others about the places that we have travelled to.

We live in a culture that does not encourage women to be epic heroes of their own Big Stories but the mothers and lovers and wives and mistresses and muses and personal assistants, the femme fatales and fantasies and manic pixie dream girls, in someone else's Big Story, and this someone else is usually a dude.

'MAD Magazine' put out a book that was a collection of Trump cartoons, and they asked me to do the forward because they knew that I was a fan because I'd done stories and tweeted about 'MAD.' So I did the forward and asked them if I could do a cartoon. They let me, and I did caricatures of myself and Wolf Blitzer.

I just want to be entertained. The stories that have aged the best are the ones where the wolf eats grandma, or the woman is going to bake children in an oven, or the bear is going to eat the girl for eating the porridge. There are lessons in there, but they're deeply engrained and hidden.

I have been watching how Indian women are forced to do certain things, as the stories of sacrifice and devotion in mythology demand from them. And then there are inspiring stories about women like the Rani of Jhansi that offer women refreshing role models.

A lot of the themes of my movies, the actual stories, come from tabloid stories.

In almost all my work, I try to re-invent Christian images and stories and themes. You'd be amazed by the letters I get from young Christians who recognise this and enjoy it.

I don't know if it's a sadistic side or whatever, but you take characters and put them in really awful situations and make them go through that. And it's very satisfying as a director to explore that, to tell those stories and to explore those themes, because it is so human.