Quotes About Stories

I talk all the time about how much I read growing up and how much I love Stephen King and how he impacted my work from a genre perspective, but Pat Conroy wrote some of the most magnificent stories about characters who had to deal with dysfunctional families and try to find a place of honor in their own world and the pain of loss.

I had a stage when I was 12 years old. I had a puppet show career. I wrote horror stories in camp, and all the parents called and complained.

I was incredibly determined - I wrote short stories, I wrote the beginnings of novels. I wrote a little children's book and sent it to the editor-in-chief of the children's division of Simon and Schuster and she asked me to write a little children's book for a series she was doing.

I had a nice part at big newspapers, small newspapers, and then I went to a very big newspaper - 'The Wall Street Journal.' I wrote longer pieces, and I got tired of working so hard on stories that had a shelf life of essentially one day. So then I started working on longer magazine pieces and realized then that you might as well be writing a book.

The dry academic tomes I wrote very early in my career were earnest reflections of the research I conducted, the analysis I applied and the conclusions I drew. And they had few readers, mostly other academics. I learned along the way and started including more and more stories in my work.

I was fortunate that I was at newspapers for eight years, where I wrote at least five or six stories every week. You get used to interviewing lots of different people about a lot of different things. And they aren't things you know about until you do the story.

What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down.

When I was really young I didn't know that there was such a thing as a screenwriter. I wrote stories.

I write short stories, and I wrote a play.

Videogames tell stories on good and evil, and so does the WWE, so that's the core of both things.

That's what we do in the WWE: we tell stories; we're characters. We go into the ring, and my character is telling a story in the ring against another character.

Working with WWE on our many community outreach programs like Special Olympics and Connor's Cure gives me the most inspiring stories to tell about human resilience.

A military childhood in the 1950s was very much informed by WWII. My brothers and I often heard stories from our dad - and from other kids - about things that had happened to their dads. We constantly played war games and, nearly every Saturday, saw a different WWII movie at the post theater.

In my work at 'Entertainment Weekly,' I had written reviews and news stories about YA books and film franchises and was always moved by how smart and voracious and loyal the readers were. Everything we did got lots of attention and reaction.

One of the things that defines YA is a really strong narrative. Adults love YA because, at the end of the day, they're good stories and page-turners. The other element is emotion. The teen years are a very emotional and intense time, and I think it's a time we that we can all relate to and remember.

At Yahoo, we were one of the early proponents of the power of content showcased through new media. SnagFilms, with its large library and breadth of digital distribution, can help shape this next phase, bringing great stories to broad new audiences.

It always amazes me to think that every house on every street is full of so many stories; so many triumphs and tragedies, and all we see are yards and driveways.

Don may yawn at the idea, which he often does, but the great thing about Don, he has confidence in me and Mike and Ed and Leslie and Steve, that we're not going go out and do stories that will put people to sleep.

Yeah I'm telling real stories, but if you pick up a documentary on strippers, you're going to want to see some stripping, so we definitely got that in there.

I want to do stories that are about the bits of cultural furniture that are sitting there that we're like, 'Oh yeah, that's been there for years! What could possibly be weird about it?' And then we're going to lift that piece of furniture and look at all the bugs scurry away.

People ask me if there are going to be stories of Harry Potter as an adult. Frankly, if I wanted to, I could keep writing stories until Harry is a senior citizen, but I don't know how many people would actually want to read about a 65 year old Harry still at Hogwarts playing bingo with Ron and Hermione.

Stardom is just an uneasy seat on top of a tricky toboggan. Being a star is merely perching at the head of the downgrade. A competent featured player can last a lifetime. A star, a year or two. There's all that agony of finding suitable stories, keeping in character, maintaining illusion.

I'm always drawn to female stories with female protagonists, and I particularly yearn for more older actresses to take centre stage in 2018.

We yearn for the desire to triumph, and it almost never does in the greatest love stories because we're left yearning for it more in the end, and we wish the world were different as a result. I do love that.