Quotes About Stories

Part of dedicating your life to studying literature is realizing that storytelling is more than just make-believe and that make-believe is far more important that we all pretend -- make believe -- it is. One way or another books tell the stories of their readers. But telling our lives is not the same as shaping them, whittling them away. Suddenly Jill had lost control. Her books had taken over and were in charge.

Bedtime stories were a group activity. And because showing the pictures all around to everyone involved a great deal of squirming and shoving and pinching and pushing and get-outta-my-ways and he-farted-on-mes and you-got-to-look-longer-than-I-dids, Penn often resorted to telling stories rather than reading them. He had a magic book he read from. It was an empty spiral notebook. He showed the boys it was blank so that there was no clamoring to see. And then he read it to them. Like magic.

That's what all stories want. They want to get out, get told, get heard. Otherwise, what's the point of stories? They want to help little boys go to sleep. They want to help stubborn mamas fall in love with dads. They want to teach people things and make them laugh and cry.

En este punto, las historias autobiográficas podían contribuir a que individuos dispersos y sin conexión encontraran una causa común a través de sus experiencias compartidas.

David Barry and Michael Elmes consider strategy, "one of the most prominent, influential and costly stories told in organizations.

I have therefore focused, in the main narrative, on only the best of the stories and on those eleven novels-Eye in the Sky (1957), Time Out of Joint (1959), Confessions of a Crap Artist (w. 1959, p. 1975), The Man in the High Castle (1962), Martian Time-Slip (1964), The Three Stigmata of Palmer Eldritch (1965), Ubik (1969), Flow My Tears, The Policeman Said (1974), A Scanner Darkly (1977), Valis (1981), and The Transmigration of Timothy Archer (1982)-that

For a fiction writer, a storyteller, the world is full of stories, and when a story is there, it's there, and you just reach up and pick it.

Food and shelter are very nice, but without stories to hear and tell, we might as well be the walking dead.

The easy danger of stories, their adhesive allure.

They use the term 'ripped from the headlines' for their stories because it sounds a lot better than 'plagiarized from the New York Times because we have no imagination.

This early recognition was critical, because it took me so long to publish anything at all. Moreover, the NYFA fellowship confirmed my stubborn belief that the stories of Koreans in Japan should be told somehow when so much of their lives had been despised, denied, and erased.

Everybody wants to feel that you're writing to a certain demographic because that's good business, but I've never done that ... I tried to write stories that would interest me. I'd say, what would I like to read?... I don't think you can do your best work if you're writing for somebody else, because you never know what that somebody else really thinks or wants.

It's a tremendous challenge, because there have been so many characters created over the years. Every time you think you come up with a great name, you find out somebody has already done it. Dreaming up the stories isn't that hard, but coming up with a good title is the toughest part.

Genre categories are irrelevant. I dislike them, but I do not have the casting vote. Writing is writing and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?

A newspaper, as I'm sure you know, is a collection of supposedly true stories written down by writers who either saw them happen or talked to people who did. These writers are called journalists, and like telephone operators, butchers, ballerinas, and people who clean up after horses, journalists can sometimes make mistakes.

The sea is nothing but a library of all the tears in history.

It is a miracle if you can find true friends, and it is a miracle if you have enough food to eat, and it is a miracle if you get to spend your days and evenings doing whatever it is you like to do, and the holiday season - like all the other seasons - is a good time not only to tell stories of miracles, but to think about the miracles in your own life, and to be grateful for them, and that's the end of this particular story.

In any case, this is how all our stories begin, in darkness with our eyes closed, and all our stories end the same way, too, with all of us uttering some last words—or perhaps someone else's—before slipping back into darkness as our series of unfortunate events comes to an end.

But even if they could go home it would be difficult for me to tell you what the moral of the story is. In some stories, it's easy. The moral of 'The Three Bears', for instance, is "Never break into someone else's house". The moral of 'Snow White' is "Never eat apples". The moral of World War One is "Never assassinate Archduke Ferdinand.

Myths are often entertaining, but they're never very helpful.

If you are interested in stories with happy endings, you would be better off reading some other book.

We must read mysterious literature, and be as bewildered by it as we are by the world, and we should write down our ideas, turning our stories, as if by magic, into literature.

The sea... some have said is nothing but a library of all the tears in history.

Villainy, I thought to myself, despite all the myths and fairy tales, despite all the stories in books and all the articles in newspapers, is not very mysterious at all. It is a person in a room.