Quotes About Stories

You don't know me from the wind you never will, you never did I'm the little jew who wrote the Bible. I've seen the nations rise and fall I've heard their stories, heard them all but love's the only engine of survival.

My parents taught me not to rely on others, unless it involved an electrical current. Our family Sundays were also the source of many, many of our favorite family stories because we were all together.              I wanted my boys to know the same strength. Life is not so scary if you know how to do things

by occupation this man is an editor, and ever since the first Saint story he has never stopped pestering me to dig into my memory for more stories of the Saint. In fact, as you see, he will go so far as to try and initiate them.

Old stories and new stories are essential: They tell us who we are, and they enable us to survive. We thank all the ancestors, and we thank all those people who keep on telling stories generation after generation, because if you don't have the stories, you don't have anything.

I will tell you something about stories, [he said] They aren't just entertainment. Don't be fooled. They are all we have, you see, all we have to fight off illness and death. You don't have anything if you don't have the stories.

The old man only made him certain of something he had feared all along, something in the old stories. It took only one person to tear away the delicate strands of the web, spilling the rays of sun into the sand, and the fragile world would be injured. Once there had been a man who cursed the rain clouds, a man of monstrous dreams. Tayo screamed, and curled his body against the pain.

The humma-hah (meaning 'long ago') stories are traditional Pueblo stories that have been told continuously for thousands of years about a time when amazing things were possible, when the plants and animals and even rocks and stars used to converse with human beings. The humma-hah stories describe the various supernatural beings and other worlds and other times that still exist right beside the present world and present time

You don't have anything if you don't have the stories.

I will tell you something about stories . . . They aren't just entertainment. Don't be fooled. They are all we have, you see, all we have to fight off illness and death.

I will tell you something about stories. They aren't just entertainment. They are all we have to fight off illness and death. You don't have anything if you don't have stories.

He cried the relief he felt at finally seeing the pattern, the way all the stories fit together—the old stories, the war stories, their stories—to become the story that was still being told. He was not crazy; he had never been crazy. He had only seen and heard the world as it always was: no boundaries, only transitions through all distances and time.

I will tell you something about stories, [he said] They aren't just entertainment. Don't be fooled. They are all we have, you see, all we have to fight off illness and death.   You don't have anything if you don't have the stories.   Their evil is mighty but it can't stand up to our stories. So they try to destroy the stories let the stories be confused or forgotten. They would like that They would be happy Because we would be defenseless then.

They went around the room telling stories about how they'd gotten here. No two were exactly the same, but there was always a certain family resemblance. Somebody went looking for a lost ball in an alley, or a stray goat in a drainage ditch, or fallowed an inexplicable extra cable in the high school computer room which led to a server closet that had never been there before.

I understand the fear that by losing contact with books on the printed page, we're somehow surrendering some aspect of our humanity, but that's just not the case…Stories were alive long before pages. Stories were theater. Stories were hieroglyphics…The medium is not the message. The medium is the delivery system. The story is the message.

I'm more interested in plot than theme, but I hope my values find their way into my stories: kindness, sympathy, effort, and humor!

Writing about an economy is like writing about a river. The backdrop is the motion, a constant evolution with no beginning or end. The stories mix human effort and impersonal forces, sometimes working together, sometimes in opposition.

Of course all children's literature is not fantastic, so all fantastic books need not be children's books. It is still possible, even in an age so ferociously anti-romantic as our own, to write fantastic stories for adults: though you will usually need to have made a name in some more fashionable kind of literature before anyone will publish them.

I heard so many stories from Gaomi's peasants that I had an irrepressible urge to write them down. Today, Gaomi's peasants know that they have become famous around the world through my writings, but I think they are a little puzzled by this.

I don't go, like, 'Hmm, I'm now going to create something for the black community.' I just feel this compelling urge. I just feel myself drawn to stories that I feel have a potency and immediacy.

Once I got into pop songwriting, I was kind of just ready to help other people tell their stories... I'm here to facilitate and structure and grow and make things a little more fabulous and a little more urgent.

I've always wanted to be part of stories about social justice - urgent, meaningful, substantial dramas.

Stories teach us empathy. They reveal to us ourselves in the skins of others.

My maternal granddad, Leonard, was full of amazing stories. He was an orphan, with 11 or 12 brothers and sisters, and he used to tell us about growing up near the Irrawaddy river and how one brother was eaten by a crocodile.

Internet journalism is not a world we know very well at all. It's conducted more on the screen and less in bars, which makes it rather less useful for getting stories about people throwing up over one another, which is what one's after.