Quotes About Stories

Her curiosity was too much for her. She felt almost as if she could hear the books whispering on the other side of the half-open door. They were promising her a thousand unknown stories, a thousand doors into worlds she had never seen before.

You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.

When you place your hand in moving water, you will feel the curves of power looping your bones, addressing your skin with logarithmic sways. Magnify that ten or twenty thousand times and you will be killed by the force. Then your body will know.... But pay attention in that moment and you will feel the intelligence of water upon you. It will tell stories of itself against your body in boils and surges and vacancies.

Daniel? Daniel...of what use are the bones of saints? Of what great interest to me are their dusted stories of day?" I stand at a dreadful distance. He speaks, "Silent stones of granite hue; enveloped now in sacred dew. Speak somber words of restless hope... of resurrection." I hear the hushings of the wind in a rhythmic silence, and turn to see a friar's lantern on a distant ridge.

The way we respond to challenges determines the stories we'll tell one day. Your decision to trust God in life's storms may be one of the best ongoing choices you ever make.

Don't you think scars make better stories than tattoos?

The fact that our traditional method of extracting doctrine from Scripture does not work well on narrative does not mean that Bible stories do not send clear messages. Instead, it suggests that the way we apply our traditional method of interpretation is inadequate because we are ignoring too much of God's Word.

The transformative novelist J. K. Rowling has confessed to having "a distinct lack of motivation at university," her undistinguished record the result of spending "far too long in the coffee bar writing stories and far too little time at lectures.

the essence of some stories lies precisely in this: they do not change, but remain like citadels or lighthouses facing the irresistible assault of time

On Water Street, every person has at least two stories to tell. One story that the light of day shines on; the other that lives only in the pitch black of night, the kind of story carried beneath the breastbone, near the heart, for safekeeping.

It is, really. And we need stories more than ever now. We need stories to entertain us, to help us to forget our troubles, to fill our lives with colour." He paused and then added, "The period you've chosen is very colourful." "Would

A particular feature of Stevenson's oeuvre is the way in which characters that appear in one book may crop up in another context in a quite different title. Readers like this because in a way it reflects the way the world is; our lives are not linear narratives–they are meandering stories that take place in diverse settings and that are peopled by characters who drop in and out at various stages.

It's a supernatural library filled with unfinished ghost stories, written by ghosts, where time has no meaning , and the Boogeyman wants to blow it all up. What exactly is it you think I can handle about any of that ?

For the Greeks, there was no single canonical version of creation, but a number of overlapping stories.

I think the power of Stieg Larsson's stories is that he has the guts to show the hidden spots in the side of Sweden. That gave us a push to say that for the first time. That they can't have with the American version.

I love how 'Game of Thrones' has resonated with so many people around the world. I feel like it has really tapped into our need to hear stories about the human condition, love, death, good, evil... For me, it really is a modern version of the old Greek theatre or cave men sitting around fires telling stories.

The only rule I have in how I let characters tell stories is that they must always tell the reader their version of the truth. No one likes being outright lied to, even in fiction.

I think you can get a sort of intensity and an edginess offering nine stories in a book. Competing versions of things.

I met a lot of women in the military with Meg Ryan, and they were remarkably impressive: Competent and strong and not versions of men, but versions of women. And they had stories to tell about how difficult it had been for them.

Trump has torn off America's Band-Aid. The stories we are covering are about fundamental American values. We are having debates about democracy versus autocracy, the rule of law, equality and diversity.

We think of stories a lot of the time as being horizontal texts, beginning to end. But I love the idea of having little vertical spikes in the story, too.

I started at a very early age in this business and I'm sure most of you have read stories about people who have started as children and ended up in very difficult lives and bad consequences.

As a veteran, I am always appreciative when filmmakers bring to the screen stories of those who have served.

I keep seeing the headline on articles that says something like 'Mary Gauthier Helping Our Veterans.' It's troubling - and it's condescending. Whatever I'm doing as a songwriter to help them tell their stories, they're giving it back to me double, triple, quadruple.