Quotes About Stories

The stories that are most unfamiliar, the ones that seem to come out of the blue about people that aren't well known, usually come from producers that have really done a lot of homework and looked around. Other stories come from the correspondents.

I was thinking about it: so many of my stories are about my family life, not about being related to a lot of famous people. That's my grandma, that's my mama, my daddy, my aunt, my uncle, my stepdaddy. I'd probably tell them even if they weren't well known.

Our culture already has a number of well known stories about artificial life and non-human intelligence. In 'Exegesis,' I've tried to not only tell a new and engaging story but also to comment on those well known stories through the details of my novel.

When you're working in the industry, and you're working with people who are well known and are so regarded, you do just pick up on things. Talking to people and hearing their stories, you learn a lot.

One thing that has become abundantly clear to me as I have advocated for the health and well-being of girls and women over the years is the innate power we each have within us to establish deep connection with one another and heal ourselves simply by sharing our stories.

I've got a general callout with the Caribbean world in which I'm interested in helping in any way to get their well-written good stories out to the rest of the world. I am really interested in helping those stories get to a completion and public viewing.

There have been so many stories out there about me, so many untruths. I've always believed you can only control what you can control. I can control my attitude, my effort, my commitment to West Virginia. I can't control lies.

You can take any one of our stories that we use right now, put western clothes on us, stick us out in the west and they'll work just as well - any single one of them - because they're stories about people, they're stories about things.

I think the reason Buddhism and Western psychology are so compatible is that Western psychology helps to identify the stories and the patterns in our personal lives, but what Buddhist awareness training does is it actually allows the person to develop skills to stay in what's going on.

In 1935, Faber & Faber published an anthology entitled 'My Best Western Story' in which the genre's leading practitioners contributed what they considered their finest. Alas, literature the stories ain't; they appear more like fossils from a spent mine.

Like many writers, I started by writing short stories. I needed to learn how to write and stories are the most practical way to do this, and less soul-destroying than working your way through a lengthy novel and then discovering it's rubbish.

You wouldn't expect it to look at him, but in a life-threatening situation you should always turn to Phillip Schofield. On a desert island he would be perfect. Phil is very practical and would build you an amazing shack as well as keep you entertained with all his hundreds of stories.

You can sort of start to write around 10. You also become a good reader around that time, and you want to imitate the thing that you love. I got praise for it, and then I found that it was a great way of translating my life, so I would write little stories and plays and things. At that point, it was kids' books that I was reading.

I got into filmmaking in order to tell very personal stories, and in this day and age, the opportunity seems all the more precious.

For a long time, since story collections look almost precisely like novels, I presumed that they were meant to be enjoyed in the same way as novels.

I've always been kind of precocious, but my journey sort of solidified when I was in college and majored in theater. That's how I knew I wanted to spend my life writing, telling, and performing stories.

But I don't read a lot of fiction. I prefer the nonfiction stuff.

I live for my work, apart from my family who come first. And I live to tell stories and pretend to be other people, it's something I've been doing since I was 3 years old. Maybe it's because I'm intrinsically bored with myself, and I find other people more interesting.

I live for my work, apart from my family who come first. And I live to tell stories and pretend to be other people, it's something I've been doing since I was 3 years old. Maybe it's because I'm intrinsically bored with myself, and I find other people more interesting. The more different they are, the bigger the challenge.

History is filled with weird but true stories of social contagion - from dancing manias in the Middle Ages to nuns pretending to be cats in the 19th century to laughing epidemics of Tanzanian school girls in the 1960s.

My kids' books all have a darkness to them.

I have very strong Canadian connections. My daughter was born there a year and half ago. But because of the nature of my job, I need to be in countries where I can get the stories that I am looking at.

When my father would come home from his work at the Senate and talk about the things he could talk about - because a lot of his work was top secret - he would always tell me these stories and laugh. As deadly serious as his work was, he would laugh at the absurdity of it all.

'Pain' is more indicative of what I like to do. I'm lyric-conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.