Quotes About Hit

There's this zeitgeist happening, and people are more open to 'Sorry to Bother You' being a hit with 'Get Out' being out there. But that zeitgeist is also happening because of the movements going back to Occupy and Black Lives Matter. Usually, film is years behind. It just so happens that, this time, everything is lining up.

My favorite would be 'Love to Love You' because from zero, I went to Number One. I don't think it's the best song - the best one is probably between 'Flashdance' and 'Take My Breath Away.'

There is a strike zone in the pocket that's very clear. Can't hit QBs low, can't hit them high.

You can't see the bat hit the ball if you're generating any bat speed. If you're just laying the bat through the strike zone, sure, maybe.

Look, when a song becomes a hit, it happens because of its tune and melody, and not for the lyrics in the first place.

I was just this kid from Colorado studying theater, and suddenly I was on a hit TV show.

We did the original 'Stargate' as an independent movie. It was a surprise success. Shortly before the movie came out, the financiers who were frightened the movie might not do well sold the film to MGM. When the film came out, it was a hit and spawned TV shows.

He's (Rafael Palmeiro) always the left-handed swing you want to copy. He's got a real smooth swing and he's never off balance. He's always on top of the ball. I just like watching him hit.

There are some instances where I don't have an opportunity to do anything but walk. There are instances where I get pitches to hit and I can hopefully do something good with it, and I try not to give anything away.

I always knew 'My Dawg' would be a hit, but I didn't even know what a hit was. When I made the song I knew it sounded hard.

I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.

After giving countless hit songs, I felt saturated. I decided to do music only for my own films and music albums. And so, I decided to start my own music label.

I don't think Flo Rida gets on just any song. If you look at the songs he has done - even The Saturdays one - was a hit. If it's not good enough, then he won't do it.

There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.

I was invited to L.A. when I was 16 for a weekend-long songwriting session by a writer I had met through my voice teacher in Pittsburgh. My first hit, 'Hide Away,' was one of the songs written during those sessions. It was played for a radio rep who then started a new label; the song got a pretty organic start at radio and then took off.

Atlanta is down south, the club. So the most thing played down there is club music. Everybody wants a hit.

I think my first hit was probably '24 is a Rubberband Man,' which was my second album. My first project, it was very well received in the Southeast region, all throughout the South and parts of the Midwest. It was very well received, but I didn't get national exposure on my second album.

I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.

Stuff that really will improve my survival prospects when the tentacles hit the pentacle.

I do think grand gestures are a hit and miss, especially for girls.

When you make a movie outside the system and it's successful critically or a moderate financial success, you usually have to go back into the system and make a big hit.

The first hit record is easy compared to the second one. You've got to have two for momentum. If you have three, you're pretty much made. But one isn't enough.

Chaplin was the greatest thing ever to hit motion pictures.

I walked Sam up to his door and gave him a huge hug. He looked me over in the porch light and leaned over—just a little. He whispered, "You know, I'm glad you wore this costume tonight. Now I know, when you're fifty three, you're still gonna be lookin' good." So I hit him. Which really wasn't what I was wanting to do.