Quotes About Broadcast

The story of Harold Fry and his unlikely pilgrimage began as an afternoon play for radio. For many years, I have been writing plays and adapting novels for 'Woman's Hour' and the 'Classic' series. So this was originally a three-hander play, broadcast one sunny afternoon on BBC Radio 4.

Television has an unparalleled reach.

Digital media are biased toward replication and storage. Our digital photos practically upload and post themselves on Facebook, and our most deleted e-mails tend to resurface when we least expect it. Yes, everything you do in the digital realm may as well be broadcast on prime-time television and chiseled on the side of the Parthenon.

In college, I got an internship at my local station in Honolulu one summer, and I just fell in love with broadcast news, reporting, and storytelling. After college, I started out at NBC, and I worked behind the scenes at 'Today' and 'Dateline.'

To close the loop entirely, AT&T set about designing its own radio sets, presenting President Coolidge with one of its handsomer models.11 In a final stroke, such as to this day inspires heated debate over network neutrality, AT&T's new radios were engineered to receive only AT&T broadcast frequencies—and, not surprisingly, only AT&T programming.*

Now I release an episode of the Waking Up podcast more or less every week.

In April 2015, Russian hackers took over the transmission of a French television station, pretended to be ISIS, and then broadcast material designed to terrorize France.

While the primary riot shall be held in Liége (now Luik) itself (and shall be broadcast live in the Kingdom of Ireland on the Iodadh Motostream), smaller riots shall be held around the world. In Ireland the principal events shall be in Dublin, Belfast and Cork, but consult your local papers for additional events that may be organised nearer to where you live.

DOC    (Goes into living room) 'Bout time for Fibber McGee and Molly.

It seems that along the Rhine front the French broadcast some recordings which the Germans say constituted a personal insult to the Führer. "The French did not realize," says the DNB with that complete lack of humour which makes the Germans so funny

My idea of the show is that it's a war time broadcast. We are at war against stations who applaud timid, unadventurous programming. We are at war against mediocre and uninspired music. Our enemies are many. All the "presenters" on the radio who dial in their shows with not an ounce of Fanatic zeal or love of music and the ever more corporate lean of so many stations are but a few examples.

Television used to be made much more in a vacuum; the only feedback the audience had for a long time was in a Nielsen number that would arrive sometime after the show had been broadcast. And now, people are just completely engaged on so many levels, and I think that you have to find a way as a show creator to follow your own compass.

Mary tuned in the wireless and heard a news bulletin on RadioToadReading informing everyone exactly why they should be panicking and what form this panicking should take.

I think - no, I'm sure - 'Coast to Coast' wouldn't work with a daytime audience.

You can't predict a show, that is the damndest thing, you can't predict if a show is going to work or not until it's on the air.

It's incredible that Apple is launching a streaming service with an ode to broadcast TV.

I think sometimes we get focused, especially in America, on the traditional broadcast networks as establishing something as being sort of mainstream, and I think what we've found over the years is that streaming is mainstream, and it's also way more accessible.

Popular broadcast shows and movies have their closed captions stripped when they go to the Internet.

I'm not one of these guys who begins the day thinking about what kind of an impact I can have. I instead think about it as what kind of work are we going to do today, how can we make the broadcast better, how can we work as a team, how can we draw on the resources of CBS overall and use them to make the 'Evening News' that much stronger.

Growing up, I was going to school for broadcast journalism. I wanted to be Oprah.

But with twenty-four hours of airtime to fill, the fact that the storm had not yet hit was news.

A baroque art-rock bubblegum broadcast on a frequency understood only by female teenagers and bred field mice.

The lesson for this Round, as we shall hear time and again, is that each generation inhabits a different acoustic universe, constituted by different musics and memories of sound, by different thicknesses of walls and densities of traffic, by different means of manufacture and broadcast, by different diets and ear-damaging diseases, by different proportions and preponderances of metal rattling in kitchens, clanging on the streets, or ringing in the ( differently polluted) air above.

Lovehandles, the station where love is more than just a song. This is Peter `Punch' O'Brien and Judy Bently. Punch and Judy in the morning.