Quotes About Woodstock

If every vampire who said he was at The Crucifixion, was actually there, it would have been like Woodstock . . .

When Woodstock ended on Monday morning, over 600 acres of garbage was left behind on Max Yasgur's farm. It took over 400 volunteers and $100,000 to remove it all.

Behind this monstrous shield, liberal democracy and the free market managed to hold out in their last bastions, and Westerners could enjoy sex, drugs and rock and roll, as well as washing machines, refrigerators and televisions. Without nukes, there would have been no Woodstock, no Beatles and no overflowing supermarkets. But in the mid-1970s it seemed that nuclear weapons notwithstanding, the future belonged to socialism.

And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.

Over the years Woodstock got glorified and romanticised and became the event that symbolised Utopia. It's the last page of our collective memory of the age of innocence. Then things turned ugly and would never be the same again.

Cocaine is also the drug of success and ambition, a tonic to those for whom doubt and introspection serve no purpose. No accident that it replaced psychedelics in the Woodstock Generation's stash boxes as flower children turned into young professionals.

Rock music carried the Woodstock Nation's banner while television represented much of what the bands and their audience stood against. More than a wasteland, TV was the idiot engine of the Establishment, electronic opiate of the consumerist masses, and thus a favorite object of ridicule and contempt.

Woodstock was about the closest thing to anarchy I've ever seen in my whole life, and I didn't like it.

I met Jimi Hendrix and Janis Joplin when I hung out with Michael Lang just before the Woodstock Festival. They were as charismatic in person as they were on stage.

I opened the Woodstock Festival even though I was supposed to be fifth. I said, 'What am I doing here? No, no, not me, not first!' I had to go on stage because there was no one else to go on first - the concert was already two-and-a-half hours late.

Chaplin was my idol. I remember watching those movies at this little theater in Woodstock, N.Y., when I was probably 6 and laughing so hard at the surprises, like Keaton suddenly being dragged by a streetcar.

Everyone here seems to appreciate the sunshine way more than we do in California. We tend to take it for granted, but in Chicago, it's like Woodstock love every time it gets above 70 degrees.

I played Woodstock in '69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn't really thought of myself as more serious musician, and I didn't really have that much interest in pop music.

After months of playing air guitar to 'Free Bird', what really got me into guitar was watching a documentary about Jimi Hendrix and picking up the Woodstock soundtrack. Listening to his version of 'Star Spangled Banner' and 'Purple Haze.' My brother played acoustic guitar and, idolising him, I thought, 'I'm going to get a guitar.'

People say Altamont was the 'end of the '60s.' It was unfortunate, but at the time we didn't think of it as signaling anything. The fact that nobody got killed at Woodstock is amazing because that was half a million people. We only had 300,000 at Altamont.

Describing Woodstock as the 'big bang,' I think that's a great way to describe it, because the important thing about it wasn't how many people were there or that it was a lot of truly wonderful music that got played.

I'm from the '60s, but no one has ever accused me of being a hippie. I never had much interest in the Woodstock crowd, which partied to change the world, while real people were starving to death in Africa.

At the time of Woodstock, I was just 13, but I used to see these exotic hippy creatures and I did look on with envy. How could you not? In an ideal world, I would have loved to have been a hippy - but I might have been a bit strait-laced. It was my fantasy.

Over the years Woodstock got glorified and romanticised and became the event that symbolised Utopia. It's the last page of our collective memory of the age of innocence. Then things turned ugly and would never be the same again.

I was at Woodstock. In the mud.

I grew up with the Woodstock generation. I went to Woodstock, and like everybody in my school, I wanted to be in a rock-and-roll band, and most of us were. But I also grew up with a lot of piano lessons and a lot of classical music training.

There's a lot of surplus rage from the '60s that was never really worked through publicly. I think a lot of that rage still exists, and I think you see that when John McCain runs a commercial that beats up on Hillary Clinton's earmark for a Woodstock museum.

Woodstock was a business. A very poorly run business.

I like to head upstate to the Catskills, to Woodstock.