Quotes About Nature

You can tell the idyllic nature of a family by the upkeep of its picnic table. Ours is its own indictment. We are splintering and peeling. We rot.

Grief is an element. It has its own cycle like the carbon cycle, the nitrogen. It never diminishes not ever. It passes in and out of everything.

No: Human beings, by orders of magnitude, remained the most vicious animal on the planet.

Life and death lived inside each other. That's what occured to me. Death was inside all of us, waiting for warmer nights, a compromised system, a beetle, as in the now dying black timber on the mountains.

It caught me sometimes: that this was okay. Just this. That simple beauty was still bearable barely, and that if I lived moment to moment, garden to stove to the simple act of flying, I could have peace.

Something like laughter. That a flower could be this small, this fleeting, that a snowflake could be so large, so persistent. The improbable simplicity. I groaned. Why don't we have a word for the utterance between laughing and crying?

He heard a loon call, piercing and forlorn, and it poured into his spirit like cool water. It was a sad cry and he realized as he listened how barren the river had felt in the days without it. Why was a wail that seemed so lost and lonely so…what? Essential and lovely.

Also I wonder how Bangley is built inside and everyone like him. He is at home with his solitude as the note reverberating inside a bell. Prefers it. Will protect it to the death. Lives for protecting it the way a peregrine lives for killing other birds midflight. Does not want to communicate what the death and the beauty do to each other inside him.

The most indisputable beauty may be the one that people cannot ever touch. That God exists up there somehow, in the peaks and remote lakes and the sharp wind. Who knows why that picture stirs joy. It speaks directly to our impermanence and our smallness.

The flakes stuck in my eyelashes. They fell on my sleeves. Huge. Flowers and stars. They fell onto each other, held their shapes, became small piles of perfect asterisks and blooms tumbled together in their discrete geometries like children's blocks.

The implacability and violence of nature always awed him. That it could be entirely heedless and yet so beautiful. That awed him. But also its intricate intelligence. Its balancings. Its quiet compensations. It was like some unnamed justice permeated everything. He would not go further than that. Still, the workings of nature made the voracious, self-satiating intelligence of humans seem of the lowest order, not the highest.

Sometimes I think that's all you need. A good man with a fishing tip, a wave. A woman once in a while. Some work to do that might mean something. A truck that runs, that some faceless bastard two hundred miles away can't turn off. It's not much, but plenty when you don't have any of it.

There was something satisfying in a cessation of paddling on smooth water. It was like watching a flock of ducks all stop beating at once and sail over a bank of trees on extended wings.

he thought he could sit on this deck and watch that stream for the rest of his life.

The albatross hit the top and canted her soft belly to the storm, and made a screaming banked peel-out downwind and over the other side. I don't know if anyone else on the ship saw her. To me, she was a visitation. Not harbinger or annunciation, but a simple reminder of a wold that worked, that was at home with itself and friends with storm.

Rock rock. Back and forth. Lull. Push. Release. Swing back. The stars, the leaves, even the sound of the creek throbbing back and forth. Of a boat. Of a hammock. Of a child's swing. Of a womb. Back and forth. Rock rock. Smell of cold current, of stone, manure, blossom. Sleep.

Human beings, by orders of magnitude, remained the most vicious animal on the planet.

the flies contain the ingenuity and craft of fine jewelry and the promise of hours, days, in pursuit of something even more beautiful: a connection to the beating heart of the living earth and maybe to one's own mastery.

It was the best time of the year. Frost at night and warm, sunny days, when the yellows and oranges of the aspen and cottonwoods did something to the blue of the sky behind them that an artist might never mimic.

I lift my head from the pillow I see the frost the moon. Lowering my head I think of home.

And the eagles. They seemed to mark the canoe's progress from the gray spires of dead spruce, spaced downriver like watchmen on some lost frontier...

I can blast Son Seals singing Dear Son until the coyotes in the creek raise up a sympathetic sky ripping interpretation of the harmonica solo. Piercing howls and yelps. Sounds like it's killing them and also like they love it. Which when you get right down to it is the blues.

I had painted a lot of landscapes, had stood before many while they burned their remote beauty into my skin, but had never done both at the same time. Don't know why. I was comfortable painting indoors and I liked best to retrieve those images from memory where they might be stained by awe and jumbled together with other things I loved. Now that I had tried the other, I wanted to do more.

Fished here, too, the river dropping so fast, the rapids so loud, reverberating off the cliff—you had to be careful as you walked down the railroad tracks to look back often. More than one fisherman never heard or saw the train coming.