Quotes About Color

The bougainvillea hung about it, purple and magenta, in livid balloons.

I always had influences musically with punk, and then growing up, I dyed my hair every color. I did the dip-dye blue, before anybody was dip-dyeing their hair. And streaks of pinks and purples and whatnot.

When I present the Charlie Parker book, I do a call and response that works quite well. With the Thelonious Monk book, I play the music and work with kids in a group to create a color wheel and show how the wheel can be mapped on a 12-tone chromatic scale.

When I learned that near Roussillon there were ochre quarries and mines from which was extracted the ore which produced pigments in all the warm hues of the color wheel, I had a substantial artistic link to this region beyond mere love.

Blue thou art, intensely blue; Flower, whence came thy dazzling hue?

Gray has this crisp, neat-as-a-pin thing going for it, whereas black seems lazy and, at the same time, like it's trying too hard.

My popularity has to do with the divorce between modern art, where everything is obscure, and the viewer who often feels he needs a professor to tell them whether it's good or not. I believe a painting has to talk directly to the viewer, with composition, color and design, without a professor to explain it.

I'm quite arty. I didn't know whether to become an artist or musician but I realised I could paint with music. All my songs have colours.

I believe that all centers that appear in space - whether they originate in biology, in physical forces, in pure geometry, in color - are alike simply in that they all animate space. It is this animated space that has its functional effect upon the world, that determines the way things work, that governs the presence of harmony and life.

'The Night Cafe' and 'The Starry Night' still emit such pathos, density, and intensity that they send shivers down the spine. Whether Van Gogh thought in color or felt with his intellect, the radical color, dynamic distortion, heart, soul, and part-by-part structure in these paintings make him a bridge to a new vision and the vision itself.

When a moment in front of me appears to be particularly special, whether it be by beauty or experience, I capture it. I usually find a reason to justify taking that photo - symmetry, or color, or contrast - and it's my hope that my photography sheds light onto what I see and do on a daily basis.

Color is a power which directly influences the soul.

Design is the fundamental soul of a man-made creation that ends up expressing itself in successive outer layers of the product or service. The iMac is not just the color or translucence or the shape of the shell. The essence of the iMac is to be the finest possible consumer computer in which each element plays together.

I think it's because it was an emotional story, and emotions come through much stronger in black and white. Colour is distracting in a way, it pleases the eye but it doesn't necessarily reach the heart.

I love white, I love black. For me, sometimes, it's nice to play with colors, but when you're too busy to think and you've got so much in your mind, sometimes all you need is a bare uniform.

I've been dealing with racism since I was a little kid! My dad's super black, from Puerto Rico. Then my mom's super white - she's Puerto Rican too, but she grew up in Milwaukee. As a Latino in the U.S. I've seen how we are treated differently based on the color of our skin.

I don't understand people who dream in black and white. I just don't get it. My dreams have always been vivid color.

If I'm doing a logo, I'll do it in black and white. Once the form is feeling right, only then do I start exploring the color palettes. A good example was the process of rebranding the Salvador Dali Museum. I did at least 100 versions in black and white.

I think that zinc white has a property of scaling and cracking.

In our living room back home we had a black and white TV, but in our front room, that only visitors got to sit in, there was a colour TV.

I started as a black and white photographer, but the colors I was seeing were just so lurid and compelling and awful at the same time. They got me looking at other contemporary art. I was gravitating more and more toward work that had visceral power, that wasn't necessarily about being beautiful but had some kind of horror in the palette.

I read that prior to the advent of color TV, most people dreamed in black and white.

The flesh of king salmon, which varies in color from white to pink to red, has a high fat content, making it perfect for grilling.

The story of Little Blue Riding Hood is true. Only the color has been changed to prevent an investigation.