Quotes About Rejection

No, hombre! No pido tanto. Lo que quiero es simple egoísmo. Un egoísmo perfecto. Por ejemplo: te digo que quiero un pastel de fresa, y entonces tú lo dejas todo y vas a comprármelo. Vuelves jadeando y me lo ofreces. «Toma, Midori. Tu pastel de fresa», me dices. Y te suelto: «¡Ya se me han quitado las ganas de comérmelo!». Y lo arrojo por la ventana. Eso es lo que yo quiero.

You know you're my best friend, right?' he said. I shrugged. I guessed it was true. Now that I wasn't going to be at the parade, they would all hate me. Everything had been carefully choreographed, and me not being there would throw them all off. I realized that kids like Theo and me weren't supposed to have real friends. We were supposed to be all alone and confused. By being each other's friend, we were defying our laws of gravity.

What happened if an unwanted child gave birth to an unwanted child? It was as though she were in a hall of mirrors, except that instead of getting smaller in each one, she got younger and younger.

Ben bu toplumun d???na at?lm?? olmasayd?m, insan topluluÄŸuna açt???m bu savaÅŸ, kötü bir davran?? say?labilirdi.

Yasan?n korumad??? kimseyi ben, devlet toplulu?unun d???na at?lm?? sayar?m.

The whole bloody world's got a commitment problem. It's the three-minute culture. It's a global attention-span deficit. It's typical of men to annex a global trend and turn it into a male device to reject women to make themselves feel clever and us feel stupid. It's nothing but fuckwittage.

It's no good. When someone leaves you, apart from missing them, apart from the fact that the whole little world you've created together collapses, and that everything you see or do reminds you of them, the worst is the thought that they tried you out and, in the end, the whole sum of parts adds up to you got stamped REJECT by the one you love.

This is what I know about love. That it is tested every day, and what is not renewed is lost. One chooses either to care more or to care less. Once the choice is to care less, then there is no stopping the momentum of goodbye.

I'd faced a lot of rejection from labels and the industry, and it was getting hard to keep believing in myself. But something wouldn't let me - inside - I had this voice that was relentlessly hopeful, and honestly, I just loved performing and writing too much to ever really quit.

I can easily conceive, most Holy Father, that as soon as some people learn that in this book which I have written concerning the revolutions of the heavenly bodies, I ascribe certain motions to the Earth, they will cry out at once that I and my theory should be rejected.

Through my illness I learned rejection. I was written off. That was the moment I thought, Okay, game on. No prisoners. Everybody's going down.

It's pretty amazing to write under any circumstances when someone gives you an assignment to write a song, even if it doesn't get accepted. I've written songs a couple of times, some for Disney, that haven't actually ended up in their films, but then you're left with a song forever.

The majority is always wrong; the minority is rarely right.

We're in a situation where talented, motivated school leavers and graduates can send off a hundred CVs and not get a reply, and where a trip to the Job Centre is depressing rather than inspirational. And you know what, that just feels wrong.

I have never entered into any controversy in defense of my philosophical opinions; I leave them to take their chance in the world. If they are right, truth and experience will support them; if wrong, they ought to be refuted and rejected. Disputes are apt to sour one's temper and disturb one's quiet.

I'm disliked a lot and it's probably for the wrong reasons.

When I'm auditioning for something, if it's not me, I really hope the part doesn't go to me. You know what I mean? I don't want to be at the wrong place at the wrong time. If it's me, wonderful. If it's not me, there's space for all of us.

For many years, our Messianic Jewish brothers and sisters have paid a great price. Other Jews have rejected them, and the Christian church would require they walk away from their traditions to fit into the Gentile culture. We must face these past wrongs.

The first book I wrote was The Bride Price which was a romantic book, but my husband burnt the book when he saw it. I was the typical African woman, I'd done this privately, I wanted him to look at it, approve it and he said he wouldn't read it.

I wrote 'Time Stops at Shamli' in 1956, shortly after 'The Room on the Roof' was published, and I couldn't find anyone to publish it.

I sent The World Well Lost to one editor who rejected it on sight, and then wrote a letter to every other editor in the field warning them against the story, and urging them to reject it on sight without reading it.

I wrote eight full-length adult novels in my twenties. None of them were published.

Growing up, I would watch a movie on video and would go to the back of the VHS and locate the address for Universal Pictures or MGM or whatever. I'd write to the studios asking them if I could be in a movie. They never wrote me back.

It was early on in 1965 when I wrote some of my first poems. I sent a poem to 'Harper's' magazine because they paid a dollar a line. I had an eighteen-line poem, and just as I was putting it into the envelope, I stopped and decided to make it a thirty-six-line poem. It seemed like the poem came back the next day: no letter, nothing.