Quotes About Stage

Playing a show before thousands of people is a highly unnatural state and when I get on the mat to do an hour of yoga before the show, I come out physically relaxed.

I prefer the competitive atmosphere of a classroom setting, like yoga or Pilates. That keeps me going. Although performing on stage is great exercise!

I tend to do yoga before I go on stage, so that keeps me nice and calm.

I'm a total tomboy at heart. If I don't have to be on stage or doing anything that day, I'm always in band t-shirt and yoga pants and sneakers.

I had a place to go to university; I was going to study history. I was in New York doing 'Arcadia,' and I suddenly thought, 'It feels a bit weird to go from a New York stage to Manchester University.' It didn't quite feel right.

I'd like to do a play in New York.

I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.

I think the inception of my interest in arts was when I was around 9 or 10 and I started dancing. I was really convinced that I was going to go to New York and be onstage in 'A Chorus Line.'

I've been seeing a lot of theatre in New York, and I am sort of terribly jealous of everyone on stage but also really appreciating it in a way that you can't when you're in the middle of it.

I land in New York, and next day, we go to the doctor. He looks at everything, and we had sent all our tests, and he says, 'You know, it is fourth stage, and you have 30% chance of survival.'

There is something about New York City that in and of itself is so theatrical hat I use to think... I use to feel when I walked out of my apartment on the way to school or anywhere that I was walking out on stage.

I've had jokes stolen a thousand times. But if you can do it better than me, you can have it. I've had jokes stolen from me in the club when I'm next on stage. And my brain will start to turn, and the gears will start turning, and I'll go onstage and create a whole new bit.

Well, a lot of people don't know this about me, but I'm actually shy around people I don't know. I would just say with my first concert, my first tour, I didn't really talk onstage. I was like, 'Thank you, I love you guys,' or whatever. But now I've just kind of learned to work a crowd.

People sometimes forget how important Broadway is as a place for young actors to grow.

My advice to young actors is probably to do some theatre; definitely do that. I keep running into these actors who have never been on stage, and it's invaluable for an actor. What you will learn about yourself is huge.

From a very young age, I wanted to get up on stage whenever I went to the theatre - the actors just seemed to be having so much fun. One of my worries about theatre, in fact, is that the actors are quite often having more fun than the audience.

I started dancing ballet when I was very young, so my background really is dance. But I remember loving the feeling of being on a stage and having a love for performing from a young age.

I was on stage at a young age.

Growing up on stage, I was introduced to makeup at a young age and I will never forget the first time I tried on a L'Oreal Paris iconic lipstick - it was instant glamour and I've been hooked ever since.

I'd say that, first and foremost, I'm a performer; I started performing when I was four years old, and being on stage from a young age set me up.

The good thing about most of the girls that I've met on the road is that, regardless of whether they're cute or not, man - they can bring it onstage, which is inspiring not just for young girls and young people in general but for myself because then it makes me want to step it up.

The young man who's had the Guggenheim fortune behind him all his life - he can hire all the authorities on the subject to teach him how to do a monologue, but he's never going to have the right stuff to pull it off. If he doesn't walk out onstage needing to walk out there, he doesn't have a dream of doing well.

Joe Stubbs was very jealous of me, especially after 'I Found a Love.' We'd be on stage and he'd lay traps for me, make me look bad.

The whole thing about writing a play is that it's all about controlling the flow of information traveling from the stage to the audience. It's a stream of information, but you've got your hand on the tap, and you control in which order the audience receives it and with what emphasis, and how you hold it all together.