Quotes About Stage

Most of my avant garde fashion is saved for my videos and for the stage. In real life, I tend towards a classy, black Goth look. I love black, a few sparkles, false eyelashes and boots. But when I perform, I love fantasy and props.

All the things I do in my videos - the jumps, twirls and back bends - will also be onstage.

There is such little tolerance for women on the national stage who don't agree with the hosts of 'The View' or celebrities who march with Planned Parenthood.

I started to view theatre like a spiritual experience. You're on stage saying somebody else's lines, but you're saying them with full commitment of being that person.

As a professional comedian, it's my theory that people get into comedy because there's something missing in their own personal life, and they need that void filled through laughter and acceptance onstage.

The stage is more beholding to love, than the life of man; for as to the stage, love is even matter of comedies, and now and then of tragedies; but in life it doth much mischief; sometimes like a siren, sometimes like a fury.

Life is not an opera. Scenes belong on the stage.

Well that's New York for ya. The only people who rush the stage are guys.

I got to work with Rachel Dratch, and she just had such a funny, roll-with-it attitude when she would approach the stage and could turn anything into a gem.

What's important is to get into shape and then not to have to worry about it. I don't want to get on stage and not being able to do something. Not being physically fit doesn't work for me.

Everyone gets a chance in the spotlight; you can have it when I'm done!

there are times when one's life appears to be a stage. people come,people go. they come in order to go,& go with no intent of return. when they return,they return as one's past. a past that would make you feel that the present is false.

Shakespeare said "all the world is a stage" if it is then I suggest you to perform better than anyone else.

What's important about an actor is his acting, not his life.

It's difficult for most people to imagine the creative process in tennis. Seemingly it's just an athletic matter of hitting the ball consistently well within the boundaries of the court. That analysis is just as specious as thinking that the difficulty in portraying King Lear on stage is learning all the lines.

Translated into ordinary human language this means that the development of capitalism has arrived at a stage when, although commodity production still "reigns" and continues to be regarded as the basis of economic life, it has in reality been undermined and the bulk of the profits go to the "geniuses" of financial manipulation.

I'm really very sorry for you all, but it's an unjust world, and virtue is triumphant only in theatrical performances.

I don't often get a chance to have a frying pan in the show.

I play the piano a lot at home, I write songs on the piano and guitar. I would like to actually play piano on stage... I don't think I'll get the chance for a while.

If you get a chance to act in a room that somebody else has paid rent for, then you're given a free chance to practice your craft.

When you go on a stage - or even in a café or a room - and you play it's all happening right then and there: the exchange, the art, the communication. Performance is in the moment.

We must keep on trying to solve problems, one by one, stage by stage, if not on the basis of confidence and cooperation, at least on that of mutual toleration and self-interest.

In his prime, the young comic walked onto a stage with the confidence of a man who owned it, and by the time he walked off, he did.

The big gap between the ability of actors is confidence.