Quotes About Stage

Whenever I go to shows, I end up looking at what shoes the guy onstage is wearing and the jacket he's got on. And when you know everything's gonna be under scrutiny, it makes you feel more comfortable if you have cool stuff.

When I get on stage, Beyonce is my alter ego. The way that she's Beyonce in real life and then Sasha Fierce on stage, I'm Normani in real life, and then I pretend to be Beyonce on stage. I just love that she's constantly reinventing herself but stays true to who she is as a person - and she wears so many hats in her life.

I'm a comedian. I can't get a spray tan. I can't get a weave. I can't get my teeth done. Can you imagine if I came out on stage looking really hunky? Comedy doesn't work like that.

When you tell a story, there are imperatives of structure, of style, of pacing and all of this, that are there simply because you want to make it a good story. When do you introduce your characters? When do you put them onstage, when do you take them off the stage? How do you weave the different threads of the narrative together?

I'm sort of anti-Aristotelian. I want to get an entire life onstage while conveying a sense of how time feels, how unstoppable it is, and how we don't really know what's going on because as we're trying to weave, it's weaving us.

The platform doesn't really matter to me, whether it's stage or theatre or even a web series. I just am more interested in, like, if it's a story that I would want to watch and if it's a character that I feel like I can contribute something to, then that's really what gets me.

I love being on stage if I'm not on a set. If I'm at home, I'm usually in my office editing or reconstructing my website or whatever it may be. I just love putting creativity into a performance, so if the right script comes along, and I certainly am reading comedies and dramas now, then I'm ready willing and able to give it a shot.

You will always worry - a wee lad from Edinburgh going up on stage in Glasgow.

I started on television. I had five years of network television before I ever got up on a stage. The first thing I ever did was in 1967. This guy Bill Keene had a little talk show at noon, and Gary Owens took over for a week. He knew about this dummy bit I used to do, this ventriloquist thing, and I was on 'Keene at Noon.'

I go running three times a week - outside in the park, come rain or shine, and I hate every moment of it. I hate everything about it. But I know it's important for health reasons and the reason why I run, in particular, is because my stage work is like cardiovascular work so I don't want to lose my breath on stage.

A lot of the time, you're supposed to play to the top of your intelligence, as truthful as possible. But when you're on stage making people laugh, you're still acting. I think it helped me a bunch to go on stage two or three times a week.

If I'm at home for the weekend - and that is almost never - I tend to get twitchy at about eight o'clock in the evening because my body clock is timed to go on stage. I don't know what to do with myself.

It's an awesome thing to be flung out onto the stage twice a weekend in front of 250 people, and you have to make it up as you go along.

I can't expect everybody to appreciate what we do. Our stage shows especially have been kind of polarizing. Either you went with it or you didn't, and you thought we were being pretentious. Personally, I think it's kind of boring when I watch a band that doesn't do anything to make it their own.

My seriousness as a politician will be seen from what I speak from a political stage and say in press conferences. If my comic flavor shows there, I cannot be taken as a serious politician.

It's not a bad thing to be able to do many things onstage. If you're an entertainer, you should be able to entertain. I'm proud to say that I'm not a one-trick pony.

You can go onto that stage every night, and it's always the equivalent of going onto the topmost diving board, and you don't know if there's any water in the pool.

Usually bands with violins - it's this little, poorly amplified looking kind of futile on stage, and that's not the way that my music is put together.

Like a lot of the newer bands, like the more poppy kinda bands, although they make really good records and they produce them really great and everything, they don't really deliver onstage. And I think that's where like the heavier bands kinda score.

To give a successful character portrayal on stage or on film, the part has to be played inside of you.

I learned from watching Florida Georgia Line every night. The energy that they possess on stage, that's something that I wanted in my show.

Ravi Shankar was an incredible teacher. I sat on stage with Robby Krieger and studied at his school of Indian music here in L.A., so at Royce Hall we were sitting next to him watching his hands bleed while he got possessed. This is the highest level you can get.

It seemed like a very small possibility for me to become an artist. I didn't have the need to be on the stage; I didn't feel the need to be heard. I just needed to write.

I put on the best live show, the absolute best live show I can possibly can.