Quotes About Stage

Palak has its three to four signature moves. I cannot showcase just those on the 'Jhalak' stage since it's a hardcore dance show. The tasks cannot be taken lightly. All the contestants are judged technically.

I didn't develop or build synths. I had my technicians modify them for my live stage performances.

Two, I actually learned a lot of things that served me very well when it came to repeating performances on stage, because it is a craft and you do need a technique for it.

It is the same actor in theatre and cinema, just the technique of acting changes.

The stage and working in front of a camera are two completely different mediums. Each requires different techniques.

With a camera right in my face, my movements would have to be more subtle; stage techniques would have to be left behind and that would be hard. So many things kept whizzing through my mind, yet I never doubted once that I could do it.

The studio work is the nasty, tedious, hard and nerve-wracking part, interrupted by moments of exhilaration. Playing live is the chance to actually have some fun and get on a stage.

We put too much on contemporary dancers. A lot of them cannot change styles; a lot of them can't do anything else other than run around the stage reaching and stretching in anguish to somebody off camera that I never understand who it is. But it's the teenage angst they have to live with.

I spent most of my teenage years in the National Theatre.

I was a kind of angsty teenager and I would write diaries and write stuff down all the time. Sometimes I get to the level on stage where I'm singing and it feels heavy, but not always.

I think that at 21, I still look like I'm 17 years old, so I feel like I'm going to be playing teenagers for a while, and that's a very relatable stage in a teenage life for a female - that kind of rambunctious stage.

I became famous so quickly and so young - it was daunting. I was immature and I used to say some really stupid things in interviews. I never smiled on stage so I looked really serious, but it was because I hated my teeth and was incredibly nervous.

I'm a stage actor. You know, I was - I cut my teeth on stage, you know. So I've always had a love affair with the stage, first off, what I was raised in, you know.

It's funny how concert dreams are such a recurring thing among musicians. It's like how everyone has that dream of their teeth falling out? Except musicians have this dream of just standing onstage and there being all these people out there, and for some reason, the song isn't starting.

I did years of summer stock. I sort of only wanted to be an actor. And then at 19, I was funny, and I had some of these bits that I did for friends, and I immediately could get on television.

You go to drama school, and the people you revere and admire are those who work on the London stage, and you hope that's a world that you'll be able to break into and do enough occasional television and small film work to eventually get to the point where you're paying the bills.

I like radio and live performing stuff. I don't like the television stuff as much.

I really do like being on stage. Compared to television I have a lot more control - it's a lot more relaxed and loose.

I wanted to be a stage actor but I got stuck on television. It took a couple of years to get used to.

When I leave backstage, some of the fans ask if I'm a roadie, and I just tell them, 'No, I'm the bus driver.' And, of course, they believe it.

To this day, if you gave me $1,000, I really can't stand up - You can tell a joke. You're a good storyteller and a good joke teller.

I'm going to retire hopefully like Cary Grant did. I'll be on stage telling a story, everyone's going to applaud and laugh, and then I'll drop like a rock.

Forty is when you actually begin even deserving to be on stage telling people what you think.

When you're on stage, unless you surrender to the moment, you're not telling the truth. I look for people that tell me the truth.