Quotes About Stage

If you have Robbie Williams and Elton John at Wembley in front of 100,000 people, it will be the best thing you've seen. They are entertainers, they fly off the adrenaline.

'A Streetcar Named Desire' is the play I've probably read the most times in my life, and I love the weirdness of all the scene outs but especially the end of the second scene, when Williams brings a tamale vendor on stage to simply say, 'Red hot!'

I want to do a Tennessee Williams play.

When I was on stage in the '50s, it was a glory time, a golden time with Tennessee Williams and Arthur Miller. There was real talent. And now, the theater is a little Disney-fied.

God willing, we shall come to a stage where the world looks at the Palestinian question, and Palestinian rights on Palestinian national soil, as well as the questions of the occupied Syrian and Lebanese territories. These are the bases on which peace will be built.

My dad was into the 1950s doo-wop era. If you look at those groups, or at James Brown, Jackie Wilson and the Temptations in the 1960s, you'll see you had to be sharp onstage.

When I was nominated for the Oscar, I was absolutely positive that Judy Garland would win for 'Judgment at Nuremberg,' and then they call my name, and I was absolutely paralyzed. And I remember walking down to the stage and saying to myself, 'Don't run. It's not dignified.'

It's almost ironic sitting here watching stories about Norm's courageous 'battle' with cancer. He actually did a bit on stage about how stupid that is. What battle? It's your own body. Is it a win or lose thing?

Backstage, I get sleepy, and want to curl up and snooze. I never get nervous, whatever the event. I feel quite detached until I walk on stage, and then some gear inside me clicks and off I go like a wind up doll.

I love performing outside because it's as if the heavens are open and the elements become part of the stage show as well - you know, the wind and the rain and the thunder. It's almost as if there's a sense of invocation in performance.

Technically, I've learned that having good legs and wind is good for being on stage. You have to be in shape and have endurance.

Some people do stage and film. Some people are film actors, and some people are stage actors. I'm quite sure that any of the actors who did the original production of 'August' could have done the film of 'August.' I don't think any of them were particularly surprised when they didn't wind up doing the film.

When I started out, it was around the whole 9/11 - Islamophobia was just sort of hitting a second wind. Obviously that informed a lot of my humor, and it influenced a lot of what I was talking about on stage because it was extremely relevant at the time.

When you're in theater, you inevitably wind up working in restaurants. I made pastry.

I was a stage dad. When I was with Earth, Wind and Fire, I was their stage dad - the O'Jays, I was the stage dad.

I think I've always been fine on stage - though I get nervous beforehand. But once I'm on stage, all of that goes out of the window.

For me, you have to do as much work as you can beforehand and, once you get on stage or set, throw it out the window because you need to be collaborative. You shouldn't have too many ideas about where it goes before you get into the room with the director and other actors.

The first night was awful because I was so afraid, and I was never more afraid because it was going out of my character to be outgoing and to be vulnerable and to be out there and onstage. My hands were sweaty and I couldn't swallow, and I drank a bottle of wine to calm my nerves.

I love the outdoor festival feeling. When I'm on stage, it's very gratifying to watch people on the lawns enjoying the music with a glass of wine.

Being hydrated is a key thing for a singer, especially if you're spending three hours on stage five nights a week, and wine dehydrates me faster than beer.

People may know me from films, but theater is my first love. I did about 35 plays before I even landed my first screen role. I'm very comfortable on stage, and theater is not something you can just wing.

If I do a bit on stage, I prepare too much. Those bits are all really, really carefully written, and overwritten, and researched. I really don't feel like I can wing it. So I write it out word for word, and when I'm onstage I'll improvise around it.

Nick can get up on stage and just wing it, whereas I would have to be taken to a mental institution.

I feel like I grow wings on stage.