Quotes About Pop

And then, when he's been underwater so long I feel certain he's drowned, his head pops up right next to me and I start. "Don't do that," I say. "What? Come up or stay under?" he says. "Either. Neither. Whatever

Reggaeton is something else - it is part of pop culture. It is something very big that I don't believe will ever die.

I wanted to be a painter, somewhere between Abstract Expressionism and Pop.

I've always said that I count myself as a classical crossover artist. To be so, you have to have the core classical training, which I did for many, many years, but also be interested in the pop side of things. You can fit in somewhere in the middle. I feel I do that really well.

In pop or rock you can make a fast song or a slow one, but in disco there is really just the one rhythm.

You have to learn how to act a pop song. You have to find the balance of the pop from the pop song and the lyrical significance of the scene you are in.

Creating a decent pop song is a challenge - and occasionally, once in every decade - it's kind of fun to do that.

I make no apologies for being a huge fan of radio songs.

Actually, if I could deliberately sit down and write a pop hit, all my songs would be pop hits! Let's put it this way. I play what I like to hear. And sometimes I like to hear something poppy, and sometimes I don't.

I mean, Beatles songs were two and a half minutes long, and they're fantastic.

In my player, I have a Luis Miguel CD as well as a Brian McKnight CD. I'm known for my very romantic ballads as well as the fun, up-tempo pop songs.

I've covered Avril Lavigne. I like good pop songs, and I don't think there should be any kind of preconceptions about where good pop songs come from.

I don't think writing open-ended lyrics is necessarily an important part of writing good pop songs.

Someone like Katy Perry - I like her writing because I listen to music as a songwriter. I like a lot of her songs - like, 'Firework' is a song that I think I could write.

I'm not a great guitarist, but I do bits and bobs. I'm mainly a songwriter and a composer. I've done a lot of scoring and some stuff for British pop music that did pretty well, but I've mainly been working on my own stuff with Duncan Sheik.

One of my first songs I ever got a decent cut on was with a songwriter out of Xenomania, called 'All Fired Up' for the Saturdays.

Obviously we're pop songwriters.

I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first.

When it comes to songwriting, I grew up in the Seventies listening to AM radio. So I've all these pop songs running through my head from Paul McCartney and Elton John, and a lot of stuff that was written on piano.

I had four or five years in school training as a soprano. I fell into pop singing because of economics. I got out of high school and had to go work, and they weren't hiring opera singers.

The second single from 'Purpose,' Justin Bieber's fourth studio album, 'Sorry' is an infectious confection - a Dorito for your ears.

People who love R&B will love my music, people who love rock will love my music. It's soulful, it's pop. It's a sound that relates to everyone.

Kelly Clarkson definitely reminds me of Motown. She's pop, but she's also very, very soulful.

My favorite over the years is probably 'All I Have to Give.' That's probably my favorite. It's one of the first songs that the five of us were featured on the lead, and I just think it has such a great sonic sound with all the melodies and harmonies. It has a little bit of a mixture of R&B and a pop sound. It's just a really good feel-good song.