Quotes About Dramatize

Ideas, of course, have a place in fiction, and any writer of fiction needs a mind. But ideas are not the best subject matter for fiction. They do not dramatize well. They are, rather, a by-product, something the reader himself is led to formulate after watching the story unfold. The ideas, the generalizations, ought to be implicit in the selection and arrangement of the people and places and actions. They ought to haunt a piece of fiction as a ghost flits past an attic window after dark.

Historical fiction was not - and is not - meant to supplant literature from the period it describes. As a veteran of the Crimea, Tolstoy wrote 'War and Peace' to match his own internal sense of the truth of the Napoleonic wars, to dramatize what he felt literature from that period had failed to describe.

It's very hard to dramatise something factual and not make it look overdone, but also not to make it look so under-dramatised that it's dull.

Germany's fascinating. It's a really rich landscape to film and dramatise.

Nonviolent direct action seeks to create such a crisis and foster such a tension that a community which has constantly refused to negotiate is forced to confront the issue. It seeks so to dramatize the issue that it can no longer be ignored.

You may well ask: Why direct action? Why sit-ins, marches and so forth? Isn't negotiation a better path? You are quite right in calling for negotiation. Indeed, this is the very purpose of direct action. Nonviolent direct action seeks to create such a crisis and foster such a tension that a community which has constantly refused to negotiate is forced to confront the issue. It seeks so to dramatize the issue that it can no longer be ignored.

Nonviolent direct action seeks to create such a crisis and establish such creative tension that a community that has consistently refused to negotiate is forced to confront the issue. It seeks so to dramatize the issue that it can no longer be ignored.

Some novels even overdramatize events, which, in real life, happen in a far more unassuming and inconsequential way; they happen, then they're over, they run into one another, floating like clouds scattered by the wind between the odd deceptive pause that turns out to be impossible, because time—which no one understands—stops for nothing.

You're trying to write about something that's sacred. You're trying to bring the seriousness of life and death to it, and you're trying to find a way to dramatize it, and you're trying to give language to it, which is inadequate. But it's important to try.

There are many ways of dealing with a desire that is socially unacceptable or that for one reason or another the person himself cannot accept. One way is for the individual to dramatize it, act it out, and, through intense but in the long run only token satisfaction, try to rout it forever.

I think books, novels and autobiographies have a power to touch people far more personally than films do, so there's a bit more of a responsibility when you then dramatise it.

A good showman is one who can dramatize the commonplace events of life and give them the interesting appearance of uniqueness.

The great triumph of the Sixties was to dramatize just how arbitrary and constructed the seeming normality of the Fifties had been. We rose up from our maple-wood twin beds and fell onto the great squishy, heated water bed of the Sixties.

In order to describe a particular subculture, you might want to portray people who are typical or representative of that subculture; but to dramatize it, to make it an interesting setting for a story, you want to bring someone anomalous into that setting, to see how she conforms to it, and it to her.

Curlicuing around the note allows a singer to mimic the sense of event in soul music, the sense that something is happening which has not happened before and cannot be repeated, by mimicking the apprehension of soul, those moments when singers dramatize their struggle to bring out of themselves what lies buried in them, inaccessible, until this moment, even to themselves.

To design is much more than simply to assemble, to order, or even to edit: it is to add value and meaning, to illuminate, to simplify, to clarify, to modify, to dignify, to dramatize, to persuade, and perhaps even to amuse. To design is to transform prose into poetry.

The other half is to dramatize that we still 'are' human beings, now. Or can be.

In order to pressure the government to change its approach, however, Alinsky urged black activists to dress in African tribal costumes and greet government officials flying into Chicago from Washington, D.C. This action, he said, would dramatize the "colonial mentality" of the antipoverty establishment. I learned about this particular Alinsky caper from Hillary Clinton's Wellesley College thesis.18 Alinsky