Quotes About '60s

I always do the same makeup because it's what works with my face. Just eyeliner and lots of mascara - very '60s.

There's such an energy and emotion to rock music, which is a lot of the reason I go back to '60s and '70s bands and look at some of the fire they had.

All the people at university were very aristocratic - except me, because I was on scholarship. And everyone there voluntarily wore suits and ties every day. And this was in the '60s!

I've always loved '60s fashion; it's so sexy.

Racism plagued America throughout the '60s, into the '70s, through the '80s; it continued in the '90s and in the first decade of the new millennium; and it persists today.

'The Sopranos' wardrobe people would sometimes go over there and just grab stuff off the racks, because B&G has that style that never ages. It's like a '50s or '60s style. It fits me well.

I had bohemian parents in Seattle in the last '60s living in a houseboat. My dad wrote science fiction novels and painted big murals and oil paintings.

I'm really into California art from the '60s. I like a lot of Bay Area artists, like Nathan Oliveira and Bruce Conner.

I love music, and a lot of it. Jazz is probably on the top with guys like Miles Davis. But I even enjoy music from the '60s and '70s.

I only wear vintage clothing. I'm pretty obsessed with things in the '60s, like fashion and music, too.

My identity was tangled up in the parts that I had played since I was a child. I would go through my closet and only see audition clothes: Brie looking older, Brie looking '60s, Brie looking '40s, Brie looking younger in the future.

Rock 'n' roll, in fact, would be African American culture's ultimately most powerful gift to the white children of the '50s, '60s

We do know the welfare system, starting in the '60s, basically encouraged the dissolution of marriage, encouraged families to separate in order to get the benefits.

When I was growing up and going to art school and learning about African-American art, much of it was a type of political art that was very didactic and based on the '60s, and a social collective.

To the extent that '60s guys own things, yes... but I don't have the publishing, just like most '60s guys, and that was an error, you know... part ownership in publishing was the kind of era that started a little bit later, when real businessmen started to manage artists.

I like the eyeliner and fringe '60s look, like Anna Karina.

I'm influenced by those '40s, '50s, and '60s films: things like 'The Apartment' - I was a big fan of Billy Wilder.

I was never a 'bad' kid, but I did get into minor juvenile trouble. Look, I grew up in Brooklyn. This was the '60s, and the neighborhood was rapidly changing and not without its problems. All the kids of the neighborhood 'did their thing,' breaking windows and the like. I was no different.

Whatever had been on the radio in the '60s; I mean we were always listening to the radio.

I found my style in my aunt's attic. She hoarded all her '60s clothes there, along with the tiaras she'd won as a beauty queen, and I'd steal her wedding dress to wear around town.

Let's face it, us '60s folks had pretty high expectations.

When the women's movement began, it was a middle-class phenomenon. Certainly, black women had other stuff to think about in the '60s besides a women's movement. Working-class women were slow to get into it.

With 'The Xpose,' the main challenge was to create timeless melodies. The thriller is set in the '60s, and we didn't want the songs to sound dated.

There are so many cute vintage dresses made out of synthetics from the '60s and '70s - but they're so itchy and hot. It's not worth it!